A powerful argument for seeing and celebrating color.
The love and appreciation of color shines through this vibrant retrospective on activism, courage, and resistance.
As an emphatic corrective to the oft-repeated but misguided phrase “I don’t see color,” luminous digital illustrations offer an unabashed education in race, culture, and the history of hard-fought social justice wins. An omniscient narrator sees a full palette, from the “smoky quartz” of Elizabeth and Roy Peratrovich, Tlingit activists whose advocacy led to the United States’ first anti-discrimination laws, to the “golden embers” of Native Hawaiian protesters such as Haunani-Kay Trask, who pushed for the U.S. government to acknowledge its role in overthrowing the Kingdom of Hawaii. Using color as a framework that goes beyond skin and race, this picture book celebrates well-known people and their accomplishments, including Dr. Martin Luther King Jr.’s speeches or the labor activism of Dolores Huerta and Cesar Chavez. The book also illuminates often-overlooked figures, such as Fred Korematsu, who brought a Supreme Court case against the U.S. government in 1944 over the incarceration of Japanese Americans; Madonna Thunder Hawk, who fought tirelessly against the Dakota Access Pipeline; and Ayọ Tometi, Alicia Garza, and Patrisse Cullors, who founded the Black Lives Matter movement. Each color that’s emphasized, from “powdered oak” to “gleaming stardust,” not only paints a rich portrait but also provides texture to a cause or cultural context. Backmatter includes authors’ notes and brief bios of the illustrious figures included throughout to guide further research.
A powerful argument for seeing and celebrating color. (Informational picture book. 5-9)Pub Date: June 4, 2024
ISBN: 9780063234260
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
A sweet and endearing feathered migration.
A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.
In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.
A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)Pub Date: May 7, 2019
ISBN: 978-1-5362-0538-1
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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