Next book

THE LAST BLOODCARVER

From the Last Bloodcarver Duology series , Vol. 1

An entrancingly well-written debut.

Nhika has been called many terrible things throughout her short life, but she knows herself to be a heartsooth.

Heartsooths can read and manipulate a person’s body and blood with a mere touch of skin on skin. But in the technocratic city-state of Theumas, she’s feared and reviled as a monstrous bloodcarver. After Nhika’s captured by Butchers and sold to Mimi, the daughter of a wealthy industrialist, she’s set a seemingly impossible task—to heal the barely surviving witness to Mimi’s father’s recent untimely death. Nhika finally begins to hope she might be accepted and that she can use her gift as it was intended, laying some of the ghosts of her past to rest. But a chance meeting with Kochin, a mysterious boy who knows more than he should, soon spirals into a tangled web of intrigue and evil beyond her imagining. Nhika faces an impossible choice: whether to “help the first family to trust her, or follow the last person in the city who might truly understand her.” Le writes with meticulous care. The richly detailed worldbuilding is infused with Vietnamese cultural elements, and the characters, viewed through Nhika’s jaded yet desperately hopeful eyes, are sympathetic and complex, expressing conflicting emotions and motivations. The story demands, in the best possible ways, that readers think, posing questions of identity, family, and trust for them to ponder. The insidiously twisty ending packs a punch, leaving an opening for a sequel.

An entrancingly well-written debut. (map) (Fantasy. 12-18)

Pub Date: March 19, 2024

ISBN: 9781250881526

Page Count: 384

Publisher: Roaring Brook Press

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

Next book

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 42


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller

Next book

WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

Awards & Accolades

Likes

  • Readers Vote
  • 42


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

Close Quickview