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THIRD NAME'S A CHARM

TALES OF TRIOS AND TRIPLE THREATS

From the What’s in a Name series , Vol. 3

Effervescent characters, human or otherwise, fuel this collection of absorbing short stories.

Characters in this fantasy anthology wield magic, traverse otherworldly realms, and brave mythological creatures.

The 20 stories in this collection are an entertaining mix of traditional and urban fantasies. In K.A. Last’s opening story, “A Feather for a Kingdom,” a king sends his three sons on a quest to find three items. This mission will decide a successor, though Abner, the least popular son, discovers something beyond the items he’s searching for. Ora, a village woman in Rebecca Fittery’s delightful “Threads of Gold,” inadvertently vexes a fae, who curses her to speak nothing but lies for three days. (Now Ora can’t simply tell the king that she doesn’t want to be his queen.) Donna White’s “Some Gnarly Sea Monsters” is set in sunny California, where sisters looking for their missing triplet brother unravel startling ties to tentacled beings. Connecting these tales is a discernible theme of threes, found in the sisters who form the three Fates, an evil sorceress with a trio of names, and a woman who proves herself worthy of a magical realm by undergoing three mental and physical trials. A wonderful array of fantasy signposts pop up, from dragons, spirits, and unicorns to an elf and humanoid animals (such as the charismatic Pantherim in Ashley Steffenson’s “Amira and the Healing Flower”). Some tales feel like snapshots of more expansive lands; in “The Guardian of the Falling Rains,” B. Luna Covello describes a clearing “where a structure unlike any in my world stands—a tower crafted from intertwining vines and blossoms, pulsating with a life of its own. It sways gently as if caught in a breeze I cannot feel, dancing to a tune I cannot hear.” Stories belonging to this genre often unfold in abstruse worlds, but these authors excel at drawing readers in as efficiently as possible.

Effervescent characters, human or otherwise, fuel this collection of absorbing short stories.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: July 29, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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