THE PEOPLE IMMORTAL

A colorful depiction of Russian soldiers in World War II at a critical moment in the German invasion.

Grossman (1905-1964) was a correspondent for the Soviet army’s Red Star when he knocked out this novel in two months in 1942 for serialization in the newspaper. It covers a brief period in the late summer of 1941 when Russia was enduring heavy losses after German troops invaded in June of that year. Grossman reported on the action firsthand, and his knowledge is reflected in the novel’s details of military life, the cruelty of firebombing, the impact of an order forbidding surrender or retreat. The narrative focuses on a group of encircled Russian troops and their efforts to break through enemy lines. The frontline soldier is represented by the hearty, cheerful farmer Ignatiev. Higher up the ranks is the thoughtful, stern Bogariov, a former academic whose reading of classic military texts leads him to question official strategy. As an introduction notes, this novel was Grossman’s contribution to the war effort, and the well-crafted, smoothly translated prose is occasionally marred by the clanking phrases of propaganda: “There were no people closer to him than those who had fought beside him in defence of the people’s freedom.” But for the most part it’s clear that the journalist in Grossman cannot drift far from the plain truth, including criticism of the high command. More important, this hastily drawn picture laid the groundwork for the author’s sprawling wartime canvases, Stalingrad (1952) and Life and Fate (1980). The publisher has made a significant commitment to Grossman, and this novel, though a lesser work, reflects those efforts. It includes not only an introduction, but a timeline, an afterword, unusual documents, additional reading, and extensive notes that clarify arcana and help explain editorial and translation decisions.

An essential part of Grossman’s vital body of work.