by Veera Hiranandani ‧ RELEASE DATE: Jan. 10, 2012
Like Blume, Hiranandani resists simplistic, tidy solutions. Each excels in charting the fluctuating discomfort zones of...
Four decades separate Sonia Nadhamuni and Judy Blume’s Margaret Simon, but these feisty, funny offspring of Jewish interfaith marriages are sisters under the skin.
Perched on the uncertain cusp of adulthood, each grapples with perplexing cultural identity issues, but in very different worlds. While Margaret’s grandparents pressure her to label herself as they wish, it’s Sonia’s peers who expect her to define herself racially and culturally. Having a nominally Hindu, Indian-immigrant dad and Jewish-American mom wasn’t a big deal until her father lost his job. Now Sonia must leave her comfortably small private school behind and—with Dad sinking into clinical depression and Mom taking on more work—chart her own course at Maplewood Middle School. Where does she fit? With the cheerleaders like pretty, blonde Kate or the bussed-in, city kids like Alisha, who’s writing a novel? Sonia’s the only cheerleader not invited to Peter Hanson’s birthday party. Is racism the cause? As in real life, her challenges don’t come neatly compartmentalized; Sonia will have to work out her mixed-heritage identity while contending with stressed-out parents, financial woes and vexing social uncertainties. Multifaceted characters, especially Sonia—astute, observant and original—provide depth.
Like Blume, Hiranandani resists simplistic, tidy solutions. Each excels in charting the fluctuating discomfort zones of adolescent identity with affectionate humor. (Fiction. 9-13)Pub Date: Jan. 10, 2012
ISBN: 978-0-385-74128-6
Page Count: 224
Publisher: Delacorte
Review Posted Online: Nov. 1, 2011
Kirkus Reviews Issue: Nov. 15, 2011
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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BOOK TO SCREEN
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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SEEN & HEARD
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