The jacket simulates an exercise-book cover, the crayon drawings are suggestive of a child's, the opening words put you in her place—"I was the one who first noticed the red canoe for sale in a yard on the way home from school." And then we are off on a three-day canoe trip, picture-mapped at the outset, with "My mom and my aunt Rosie and my cousin Sam." As presented, it's an adventure for the reader or looker-on too. The words "We drove and drove/ and drove and drove. . ." rise and dip, with the little car, across the top and bottom of the wide page; "Our First Morning on the River" brings a double-page spread of multiple activities ("Sam tries paddling"; "we find crayfish"); with the first night's stopover come illustrated recipes for dumplings and fruit stew, and illustrated instructions for putting up a tent. As on all such expeditions, there are high spots and low spots and sudden changes: in the rain, "I am shaking my paddle at the sky and yelling," when the sun comes out through a hole in the clouds and a rainbow appears. Fish jump around—pictured and labeled; an accident occurs—after which Sam, the culprit, "gets up as though the canoe were a baby's cradle." The resonant wordings, the eventfulness, the information—plus the spontaneity and contagious delight—combine into an experience that can be relived, with new discoveries, again and again.
Pub Date: April 6, 1981
ISBN: 0688040721
Page Count: 36
Publisher: Greenwillow Books
Review Posted Online: May 11, 2012
Kirkus Reviews Issue: April 1, 1981
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hugely entertaining, timely, and triumphant.
Robot Roz undertakes an unusual ocean journey to save her adopted island home in this third series entry.
When a poison tide flowing across the ocean threatens their island, Roz works with the resident creatures to ensure that they will have clean water, but the destruction of vegetation and crowding of habitats jeopardize everyone’s survival. Brown’s tale of environmental depredation and turmoil is by turns poignant, graceful, endearing, and inspiring, with his (mostly) gentle robot protagonist at its heart. Though Roz is different from the creatures she lives with or encounters—including her son, Brightbill the goose, and his new mate, Glimmerwing—she makes connections through her versatile communication abilities and her desire to understand and help others. When Roz accidentally discovers that the replacement body given to her by Dr. Molovo is waterproof, she sets out to seek help and discovers the human-engineered source of the toxic tide. Brown’s rich descriptions of undersea landscapes, entertaining conversations between Roz and wild creatures, and concise yet powerful explanations of the effect of the poison tide on the ecology of the island are superb. Simple, spare illustrations offer just enough glimpses of Roz and her surroundings to spark the imagination. The climactic confrontation pits oceangoing mammals, seabirds, fish, and even zooplankton against hardware and technology in a nicely choreographed battle. But it is Roz’s heroism and peacemaking that save the day.
Hugely entertaining, timely, and triumphant. (author’s note) (Fiction. 8-12)Pub Date: Sept. 26, 2023
ISBN: 9780316669412
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
In an imaginative wordless picture book, Wiesner (illustrator of Kite Flyer, 1986) tours a dream world suggested by the books and objects in a boy's room. A series of transitions—linked by a map in the book that the boy was reading as he fell asleep—wafts him, pajama-clad, from an aerial view of hedge-bordered fields to a chessboard with chess pieces, some changing into their realistic counterparts (plus a couple of eerie roundheaded figures based on pawns that reappear throughout); next appear a castle; a mysterious wood in which lurks a huge, whimsical dragon; the interior of a neoclassical palace; and a series of fantastic landscapes that eventually transport the boy back to his own bed. Most interesting here are the visual links Wiesner uses in his journey's evolution; it's fun to trace the many details from page to page. There's a bow to Van Allsburg, and another to Sendak's In the Night Kitchen, but Wiesner's broad double-spreads of a dream world—whose muted colors suggest a silent space outside of time—have their own charm. Intriguing.
Pub Date: April 20, 1988
ISBN: 978-0-06-156741-4
Page Count: 32
Publisher: Lothrop, Lee & Shepard
Review Posted Online: Sept. 16, 2013
Kirkus Reviews Issue: March 15, 1988
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