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PLAIN JANE AND THE MERMAID

A pride-filled treatise and a charming riff on fairy tales.

After her parents’ sudden death, brown-haired, pale-skinned Jane is threatened with eviction from her family home.

Despite her low self-image, based on years of shallow, fatphobic taunts from her parents, Jane suggests a deal to discontented fisherman Peter, who’s thin and has blond hair and blue eyes (as well as being vapid and arrogant). They’ll marry, and then she can inherit her fortune, and he can enjoy the luxurious lifestyle he craves. It seems like a great plan, until Peter is taken captive and imprisoned underwater by a mermaid. The determined Jane seeks magical assistance and heads to the mermaid village at the bottom of the sea to retrieve Peter. Brosgol’s illustrations provide much of Jane’s characterization through her delightfully expressive face, which shines with pleasure and grimaces in disgust; her round eyes are alert to all the charms of the sea. Fortunately, she’s rescued by an acerbic, grumpily appealing seal, who educates her about the sea’s perils. This story is an explicit response to society’s valuing of beauty and contempt for its absence, especially when it comes to girls and women. Pitted against a slender, cruelly vain mermaid who weaponizes her looks, Jane emerges as a thoughtful, tenacious hero who’s learning to appreciate her own value. Brosgol redeems the occasional preachiness with her portrayal of Jane as an individual—funny, flawed, and triumphant.

A pride-filled treatise and a charming riff on fairy tales. (author’s note, beat boards, coloring process) (Graphic fantasy. 10-14)

Pub Date: May 7, 2024

ISBN: 9781250314864

Page Count: 368

Publisher: First Second

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE GIRL WHO DRANK THE MOON

Guaranteed to enchant, enthrall, and enmagick.

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  • Kirkus Reviews'
    Best Books Of 2016


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An elderly witch, a magical girl, a brave carpenter, a wise monster, a tiny dragon, paper birds, and a madwoman converge to thwart a magician who feeds on sorrow.

Every year Elders of the Protectorate leave a baby in the forest, warning everyone an evil Witch demands this sacrifice. In reality, every year, a kind witch named Xan rescues the babies and find families for them. One year Xan saves a baby girl with a crescent birthmark who accidentally feeds on moonlight and becomes “enmagicked.” Magic babies can be tricky, so Xan adopts little Luna herself and lovingly raises her, with help from an ancient swamp monster and a chatty, wee dragon. Luna’s magical powers emerge as her 13th birthday approaches. Meanwhile, Luna’s deranged real mother enters the forest to find her daughter. Simultaneously, a young carpenter from the Protectorate enters the forest to kill the Witch and end the sacrifices. Xan also enters the forest to rescue the next sacrificed child, and Luna, the monster, and the dragon enter the forest to protect Xan. In the dramatic denouement, a volcano erupts, the real villain attempts to destroy all, and love prevails. Replete with traditional motifs, this nontraditional fairy tale boasts sinister and endearing characters, magical elements, strong storytelling, and unleashed forces. Luna has black eyes, curly, black hair, and “amber” skin.

Guaranteed to enchant, enthrall, and enmagick. (Fantasy. 10-14)

Pub Date: Aug. 9, 2016

ISBN: 978-1-61620-567-6

Page Count: 400

Publisher: Algonquin

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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