by Verla Kay & illustrated by Stephen Alcorn ‧ RELEASE DATE: Oct. 1, 2002
Although a beautiful combination of history and poetry, Kay’s (Tattered Sails, 2001, etc.) tale of displaced Native Americans will be difficult, for the traditional picture book audience to comprehend without knowledge of the Nez Percé Native tribe’s history. Flat, stylized illustrations, beautiful as they are, do little to bring the story into the realm of the young reader. Those familiar with the plight of the Nez Percé will find the clipped, rhyming text to be a poetic capsule of the historical plight of a people driven from their land and forced onto a reservation after defeated efforts to defend their homeland. Each word is filled with meaning and glistens in the context of the overall depiction of the era. (“Gold sun rising, / Horned lark sings. / Eagle soaring, / Spreading wings. / Bushes rustle, / Horses snort. / White men riding, / Far from fort.”) Relief block prints surround the words with strong clean lines and restrained color. The prints are technically sophisticated and display superb craftsmanship. The art will attract many, but the major appeal will be for those with a firm grasp of the history of the Nez Percé. (author and illustrator notes) (Picture book/poetry. 6-10)
Pub Date: Oct. 1, 2002
ISBN: 0-399-23550-7
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
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by Geronimo Stilton & illustrated by Geronimo Stilton ‧ RELEASE DATE: Jan. 1, 2013
Warp back in time for a prehistoric spinoff adventure with Geronimo Stilton’s ancestor, Geronimo Stiltonoot, in Old Mouse City.
Readers will find Geronimo Stiltonoot a familiar character, outfitted differently from descendant Stilton yet still running a newspaper and having wild adventures. In this introduction to prehistoric mouse life, someone has stolen the most powerful and important artifact housed by the Old Mouse City Mouseum: the Stone of Fire. It’s up to Stiltonoot and his fellow sleuth and friend, Hercule Poirat, to uncover not only the theft, but a dangerous plot that jeopardizes all of Old Mouse City. As stand-ins for the rest of the Stilton cast, Stiltonoot has in common with Stilton a cousin named Trap, a sister named Thea and a nephew named Benjamin. The slapstick comedy and design, busy with type changes and color, will be familiar for Stilton readers. The world is fictionalized for comedic effect, featuring funny uses for dinosaurs and cheeky references to how far back in time they are, with only the occasional sidebar that presents facts. The story takes a bit long to get started, spending a lot of time reiterating the worldbuilding information laid out before the first chapter. But once it does start, it is an adventure Stilton readers will enjoy. Geronimo Stiltonoot has the right combination of familiarity and newness to satisfy Stilton fans. (Fiction. 6-10)
Pub Date: Jan. 1, 2013
ISBN: 978-0-545-44774-4
Page Count: 128
Publisher: Scholastic
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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by Geronimo Stilton & Tom Angleberger ; illustrated by Tom Angleberger
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by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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