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LEFTY

AN AMERICAN ODYSSEY

An amiable portrait of a baseball great—like Yogi Berra, Dizzy Dean and Satchel Paige—whose outsized personality looms even...

A veteran author teams with the daughter of Vernon “Lefty” Gomez (1908–1989) for a biography of the Yankee legend.

One of the game’s singular personalities and greatest big-game pitchers, Lefty Gomez entered the Hall of Fame in 1972. In a career cut short by injuries, he nevertheless managed to win 20 games four times, lead the league three times in strikeouts and shutouts and twice in ERA. A fierce competitor, he started and won six of seven World Series games (while losing none), and three of four All-Star games. Daughter Gomez and Goldstone (Inherently Unequal: The Betrayal of Equal Rights by the Supreme Court, 1865–1903, 2011, etc.) dutifully cover the baseball heroics, from Lefty’s California boyhood, the town teams and semi-pro ball, his signing with the San Francisco Seals and his storied Yankee career. The narrative’s chief delight, though, is the treatment of Lefty the character. For his pranks, eccentricities and high-spirited antics, he acquired the nickname “El Goofo,” but the moniker belied a steady character that led teammates to confide in him, a keen native intelligence and ready wit. Sure, he once famously held up a World Series game as he contemplated a passing airplane, but this same man perfectly captured the fearsome slugger Jimmie Foxx by remarking, “He has muscles in his hair.” Thanks partly to his marriage to showgirl June O’Dea and his post-playing career as sales rep and goodwill ambassador for Wilson Sporting Goods, Lefty traveled widely and appears to have hung with an endless list of famous friends: sitting in with bandleader Eddy Duchin, chumming with James Michener, dining with Hemingway, fishing with Ted Williams, playing cards with the Babe. Though this largely adoring treatment acknowledges some dark passages—a near-divorce, a midlife bout with alcoholism, the motorcycle death of a beloved son—the overwhelming impression is of a crowded, accomplished life exuberantly lived.

An amiable portrait of a baseball great—like Yogi Berra, Dizzy Dean and Satchel Paige—whose outsized personality looms even larger than his considerable athletic achievements.

Pub Date: May 15, 2012

ISBN: 978-0-345-52648-9

Page Count: 432

Publisher: Ballantine

Review Posted Online: March 3, 2012

Kirkus Reviews Issue: March 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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