by Veronica Chambers ‧ RELEASE DATE: June 18, 1996
An absorbing, often perturbing chronicle of a young African- American woman's coming of age. Chambers, a contributing editor of Glamour (and formerly a contributor to Kirkus), offers a revealing glimpse into her youth as an overachiever among adults who dismiss or reject her. (Put into a special class for gifted children, Chambers eagerly reports the news to her mother, who responds with a flat, ``That's nice.'') There is little at first to distinguish her childhood from those of the many children of hard-working families living in Flatbush, Brooklyn, in the 1970s. A secretary, Veronica's mother, a Panamanian immigrant, returns home at day's end with barely enough energy to tend to her two children's needs. But then Chambers's father decides to act on his dream to become ``the first famous black ventriloquist.'' He quits his job, is away for longer and longer periods of time, and finally abandons his wife and children. Things quickly fall apart. The family travels from Brooklyn to Los Angeles's South-Central district and back east. Chambers decides to live with her father when it becomes evident that her new stepfather cannot tolerate her. In a chilling series of episodes Chambers describes her stepmother's abuse and her father's remoteness. Despite her suffering, Chambers's mother never asks her to return home, though she does talk to her daughter almost every day. Admission to a private college in New England becomes the ambitious girl's salvation, and once on her own, she finds a way to reconcile with her mother. ``In my mother's arms,'' she says, ``I found healing.'' The author's brother does not fare as well, slipping into a hard, dangerous life on the streets. This provocative memoir is valuable not only as a family chronicle, but as a commentary on growing up African-American and on the complex feelings that assail those who leave poverty behind and move into the middle class. (Book-of-the-Month Club alternate selection; first serial to Glamour; author tour)
Pub Date: June 18, 1996
ISBN: 1-57322-030-2
Page Count: 208
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
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by Veronica Chambers ; illustrated by Sujean Rim
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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