A CLOUD OF OUTRAGEOUS BLUE

A synesthete in a medieval priory confronts the plague.

Edyth, 16 in the year 1348, is sent by Lord Geoffrey, to whom she’s bound, to Saint Christopher’s Priory after her family dissolves. As a lay sister, she’s expected to work for the nuns, not take vows, but she’s not permitted to leave, even when a young man from her village comes in hopeful pursuit. Edyth’s talent for drawing lands her first in the scriptorium, preparing pigments, and later illuminating manuscripts. Edyth feels, smells, and hears in color with overwhelming intensity. Her unusual abilities caused her to be distrusted in her village, and now she’s seen as a possible prophet by the nuns—or, perhaps, cursed. When the plague reaches Yorkshire, locals flock to the priory in desperate waves, seeking medical aid. Then the story veers from grounded reality to mysticism, as Edyth finds a magic spring of healing water. Stamper illustrates the novel with her own spare, evocative, full-color drawings, bringing Edyth’s synesthesia to vivid life. The story starts out strong but falters—many details dwelt upon in the beginning fade to nothingness, and the magical realism seems out of place: Since Stamper goes to lengths to show that Edyth’s neurodivergence is a normal variant, later developments feel disingenuous. Some of the side characters come across as caricatures, and the plot doesn’t quite hold together.

Lovely writing but a bit of a missed opportunity.