SWIMMING PRETTY

The long path to female equality has involved many byways, and one of them has been in the pool.

Valosik is editorial director at Georgetown’s School of Foreign Service, and she is also a masters synchronized swimmer, so she is well situated to tell the story of women swimmers from the late 19th century to the present. Swimming for women first became popular in Britain in the mid-late 1800s, and several women became famous in vaudeville acts. Some moved to the U.S. and attracted huge crowds. An Australian woman called Annette Kellerman became famous for acrobatic swimming but was also a strong voice in the drive for equal rights. There were popular group performances in the string of world fairs in the 1930s, although the key evolutionary step was adding music, which set synchronized swimming apart from other forms. Many male commentators were dismissive, partly because they did not understand the demands of it and partly out of straightforward sexism. However, as the author shows, Hollywood saw the potential, especially with the emergence of Esther Williams, a former swimming champion. She invented many of the crucial moves, and the aqua-ballet movies in which she starred became more and more spectacular. Williams, hugely popular in her heyday, demonstrated the capability of women, a critical issue when most women were confined to the home. Synchronized swimming was finally acknowledged as an Olympic sport in 1984 (the publication of this book marks its 40th anniversary). Valosik notes that the sport has recently become even more difficult, requiring feats that are increasingly complex and dangerous. Throughout this fascinating narrative, the author emphasizes the necessary blend of physicality, creativity, and grace, making readers want to pay special attention to the sport in the forthcoming Paris Olympics.

With firsthand knowledge, diligent research, and colorful prose, Valosik provides an engaging, energetic history.