by Vicky Alvear Shecter ; illustrated by J.E. Larson ‧ RELEASE DATE: Sept. 1, 2015
Showing uncommon foresight, Thor bids adieu with a “See ya next time, kid!” Return trips are definitely in the offing.
Mortals, do you dare follow the god of “strength and weather and mighty muscles” on a tour through Norse mythology?
Warning that “if you don’t like blood, you might want to close this book and read stories about pixies and fairies instead” (as if), the hammer-wielding guide begins with an introduction to the Vikings and their way of, literally, cutting out the middleman to get to the plunder. He then goes on to describe the creation of the giants from the “sweaty armpit” of Ymir and subsequent battles with “Odin’s team of good-guy gods.” He then conducts a tour up Yggdrasill with stopovers at Niflheim, Midgard, and Asgard, then concludes with a jolly preview of the slaughter of Ragnarök, the “end of times” (but not really). The itinerary also includes a quick visit to Valhalla—“an endless zombie slumber party” for warriors who die in battle—among other stops. Prefaced by a proper caution that Norse myths and legends are, like all such, subject to regional and other variations, the genial guide’s patter includes references to other prominent figures and tales. Larson’s dark, operatic tableaux of melodramatically posed figures clad in outsized headgear and geometrically patterned cloaks add a comically Wagnerian tone.
Showing uncommon foresight, Thor bids adieu with a “See ya next time, kid!” Return trips are definitely in the offing. (list of gods and monsters, glossary, sources, map, index) (Mythology. 10-13)Pub Date: Sept. 1, 2015
ISBN: 978-1-62091-599-8
Page Count: 128
Publisher: Boyds Mills
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: June 1, 2015
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by Vicky Alvear Shecter ; illustrated by Bill Mayer
BOOK REVIEW
by Vicky Alvear Shecter ; illustrated by J.E. Larson
BOOK REVIEW
by Francisco Serrano ; illustrated by Pablo Serrano ‧ RELEASE DATE: Oct. 16, 2012
An inventive introduction to a fascinating historical figure.
Another collaborative effort by the team that created The Poet King of Tezcoco: A Great Leader of Ancient Mexico (2007) chronicles the life of a controversial figure in pre-colonial Mesoamerica.
The indigenous woman who would serve as Hernán Cortés’ interpreter and companion was born in the early 1500s as Malinali and later christened Marina. She is now called La Malinche. Besides serving as translator to the Spaniard, she also gave him advice on native customs, religious beliefs and the ways of the Aztec. While Marina’s decision to help the Spanish in their often brutal quest for supremacy has led to many negative associations, others see her as the mother of all Mexicans, as she and Cortés had the first recorded mestizo. Although many of the details surrounding the specifics of Marina’s life were unrecorded, Serrano strengthens the narrative with quotations by her contemporaries and provides a balanced look at the life of a complicated, oft-maligned woman. Headers provide structure as events sometimes shift from the specific to the very broad, and some important facts are glossed over or relegated to the timeline. Reminiscent of pre-colonial documents, the illustrations convey both Marina’s adulation of Cortés and the violence of the Spanish conquest, complete with severed limbs, decapitations and more.
An inventive introduction to a fascinating historical figure. (map, chronology, glossary, sources and further reading) (Nonfiction. 10-12)Pub Date: Oct. 16, 2012
ISBN: 978-1-55498-111-3
Page Count: 40
Publisher: Groundwood
Review Posted Online: Sept. 11, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Francisco Serrano & illustrated by Pablo Serrano & translated by Trudy Balch
by Mary Budzik ; illustrated by Basher ‧ RELEASE DATE: July 22, 2014
More-systematic treatments abound, but the airy tone and quick-facts presentation give this some potential as a...
In Basher’s latest set of breezy “self”-portraits, 58 gods, demigods and mythological creations of diverse sort step up in turn to the microphone.
The entrants are limited to the ancient Egyptian, Norse and Greco-Roman pantheons and arranged in no particular order within their respective chapters. They range from the usual celebrities like Poseidon (“rhymes with ‘Joe Biden’ ”), Odin and Osiris to some who have gotten less press, such as Hebe—“Waitress to the Olympians”—and Gefjon, Aesir goddess of plowing. Along with mixing in such non-Olympians as Odysseus, Budzik swells the ranks by lending voices to Bifrost, Yggdrasil and even the battle of Ragnarok. The author’s introductory claim that the gods gave mortals “something to believe in and ideals to aspire to when life was looking bleak” is massively disingenuous considering the speakers’ own accounts of their exploits (Hel complains, “It’s really grim here. I get the dreariest dead”). Nevertheless, the sex and violence are toned down to, for instance, Hera’s tart reference to “my hubby’s mortal girlfriends” and Isis’ allusion to “complicated family vibes” (following her brother/husband Osiris’ dismemberment by their brother, Seth). In a radical departure for Basher, some of his dolllike cartoon figures bear grimaces rather than cutesy smiles.
More-systematic treatments abound, but the airy tone and quick-facts presentation give this some potential as a lighter-than-air refresher. (chart and foldout poster of Greek/Roman equivalents) (Mythology. 10-12)Pub Date: July 22, 2014
ISBN: 978-0-7534-7171-5
Page Count: 128
Publisher: Kingfisher
Review Posted Online: May 27, 2014
Kirkus Reviews Issue: June 15, 2014
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