A gushing Keith Richards fanzine and high-bias Rolling Stones history. Richards, Bockris tells us, was the son of a dour working- class father who told his son to ``stop that noise'' and a doting mother who listened to Keith practice in the kitchen for hours. In 1962, Richards joined the newly formed Rolling Stones; he was touring by 1963. Here, Bockris (The Life and Death of Andy Warhol, 1989, etc.) details—mainly through interviews with Richards—the guitar player's studio work, live performances, and personal life, as well as a chronicle of the band that was formed by Brian Jones. To Bockris, Jones is a virtual nonperson, and Richards—whose considerable talent as a songwriter peaked out, by his own estimation, in 1973—is the band's single, irreplaceable driving force. (By contrast, Stones bassist Bill Wyman says in Stone Alone [1990] that ``Brian was the inventor and inspiration of the Rolling Stones'' and that Richards ``screwed up the band with his drug problems for about ten years.'') Much of the portrait here is a depressingly familiar canvas of addiction and denial, with Richards repeatedly arrested, burning down numerous estate houses by nodding off with lighted cigarettes, methodically punching out his common- law wife, Anita Pallenberg, in front of their children, delaying concerts and recording sessions for hours and days while in a stupor or trying to obtain drugs. But Bockris quotes Richards as saying, ``I've never had a problem with drugs—I've had problems with police.'' And Bockris finds it all romantic: ``The drugs helped Richards understand he was living in the midst of a cultural renaissance.'' Interesting, and probably choice fare for Richards fans, but hardly gospel. (B&w photographs—not seen.)
Pub Date: Sept. 1, 1992
ISBN: 0-671-70061-8
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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