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ABOVE THE RAIN

With a penchant for the philosophical epic, del Árbol gets lost here in all the melodramatic detail.

A Spanish crime novel attempts to connect the dots across decades, countries, and continents as two nursing-home residents embark on a late-life search for meaning.

Miguel is a widower and retired bank director in his 70s who is losing his memory to Alzheimer’s. The slightly younger Helena has plenty of spirit and all her wits but has ended up in the same Spanish nursing home, with nothing to do and nowhere to go. Following the suicide of another free-spirited resident, she realizes that time is short and life is fleeting. The pilgrimage she makes with Miguel defies credulity but ends with him in Sweden, alone. It is there that he notices a woman previously unknown to him and ponders how “people were mysteriously connected without ever realizing it.” It seems that it is Helena who has connected them, however tenuously. More than a half-century and hundreds of pages earlier, the novel’s prologue found Helena’s mother committing suicide by drowning, and threatening to kill her daughter along with her, all because of a complication it takes the rest of the novel to unravel. Miguel also had a troubled childhood, and both have had troubled marriages and relations with their children. Skipping back and forth across countries and decades, the novel explores their separate family bloodlines, from war and politics through love that is as passionate as it is taboo. Even as Miguel loses Helena (along with his memory), their mutual sense of mission never flags. No one could criticize del Árbol for lack of ambition, though this novel finds his characters a little too much at the mercy of chance and fate, as the reader struggles to find reasons to care.

With a penchant for the philosophical epic, del Árbol gets lost here in all the melodramatic detail.

Pub Date: May 25, 2021

ISBN: 978-1-63542-995-4

Page Count: 480

Publisher: Other Press

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE MEDICI RETURN

Perhaps the single most striking feature of this latest dose of intrigue is that its title is intended to be taken literally.

The eternal jostling for power in Rome and the Vatican is juiced by a development that attracts the attention of the Magellan Billet and its foremost alumnus, Cotton Malone.

Eric Gaetano Casaburi, secretary of Italy’s National Freedom Party, anticipates a decisive victory for the party if Sergio Cardinal Ascolani, the Vatican’s secretary of state, will lend his full-throated support. Of course, the Church isn’t supposed to meddle in contemporary politics, but Eric makes an offer he doesn’t think Ascolani can refuse. Five hundred years ago, Giuliano di Lorenzo de’ Medici loaned Pope Julius II ten million florins the Church never repaid. That debt is still legally payable to anyone who proves to be a surviving member of the Medici family, and Eric believes he can prove exactly that. Although Malone, called in to investigate the bona fides of Ascolani’s enemy Jason Cardinal Richter, has already found a fortune hidden in Richter’s apartment, Richter swears that he’s being framed, and the violent deaths of three anonymous functionaries seem to bear him out. So, Malone forges a series of alliances with Richter, with wealthy businesswoman Camilla Baines, and ultimately with an even more surprising party to prevent Ascolani and Thomas Dewberry, a hired assassin who’s both a sociopath and a devout Catholic, from swaying the upcoming election in return for Eric’s forgiving the ancient debt. An extended closing note shows how inventively Berry mingled history and fiction to weave this tangled web. Readers invested in learning more about the Medicis can be assured that the brief glimpse of them in a prologue set in 1512 is only the beginning.

Perhaps the single most striking feature of this latest dose of intrigue is that its title is intended to be taken literally.

Pub Date: Feb. 11, 2025

ISBN: 9781538770566

Page Count: 416

Publisher: Grand Central Publishing

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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