A writer of Mexican-American heritage (Jury, 1977) tells the engrossing saga of his family's immigration to, and subsequent life in, California in the wake of the Mexican revolution. A sort of Hispanic Roots, the book focuses on three generations as they struggle with poverty and prejudice, love and life. When Villasenor was first contracted to write Rain of Gold, it was to be a ``major'' work of fiction. As he began interviewing his relatives for background material, however, he realized that there was a much more important story to tell: the nonfiction account of his family's history. Unable to convince his publisher to go along with his new plans, Villasenor gave back his $75,000 advance, took a $1,500 advance from a lesser-known house, and set about writing ``a history of a people—a tribal heritage, if you will—of my Indian-European culture as handed down to me....'' It was a brave and rewarding decision. From beginning to end, the chronicle is filled with one remarkable story after another. All have the simple warmhearted quality of family tales told around the kitchen table, yet all are eminently believable. Many episodes have to do with overcoming hardships: A daughter is brutally raped and goes blind; a proud mother is forced to become a beggar to support her children; a son admits to a murder he didn't commit in order to collect money for his family. Others deal with love and God and the ``meaning of life.'' The book is heavy-handed and sketchy at times, and bogs down in the second half, but, overall, it's a page-turner. Perhaps not the definitive Hispanic family epic, but an inspiring, fast-paced tale with a simple, fable-like quality that's often surprisingly moving.
Pub Date: Aug. 30, 1991
ISBN: 1-55885-030-9
Page Count: 560
Publisher: Arte Público
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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