While the relationship between parent and child is a lovely, loving one, this book doesn’t do much that isn’t being done...
The grumple of the title is a small, white-furred animal with a bushy black tail and ears, dressed in pajamas.
Its mom, a bigger version of the young animal, wearing a prim, flowered dress, tries to wake it with kisses and songs and to entice it outdoors to see the other animals. In their suburban woodland house, the grumple sleeps under a patchwork quilt, holding its fox doll. Addressing readers directly, the text advises: “If it’s [sic] brow begins to furrow, / If it hides inside its burrow, / Then lean close and sing a little louder: / Shush—Shush—There’s no rush / The sun is gold in the morning hush.” That golden sun has a greenish cast in Gauthier’s mixed-media collage illustrations, and the palette used throughout is mostly made of dull grays, greens, and browns. The cutout pieces (birds, a potted plant, the grumple’s toy) incorporated into the illustrations have a playful, childlike look in contrast to the somber colors. When the mother finally persuades the child to leave its comfy bed, it magically changes from its pajamas into its overalls during a verse that spans a page turn and then goes out willingly to greet the day. His friends, including a bear parent and cub standing outside, are also dressed in human clothing, but the birds and fish scattered throughout the landscape are in their natural feathers and scales. The textual decision to place readers in the position of parent rather than child is a puzzling one.
While the relationship between parent and child is a lovely, loving one, this book doesn’t do much that isn’t being done elsewhere. (Picture book. 3-6)Pub Date: March 22, 2017
ISBN: 978-1-7727-8014-7
Page Count: 24
Publisher: Pajama Press
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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