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ORDER TO KILL

All in all, a crackling good yarn. Author Mills proves himself a worthy successor to carry on the series.

Series creator Flynn died in 2013, but Mitch Rapp lives on in this 15th chronicle (The Survivor, 2015, etc.) of the legendary CIA agent’s exploits.

When the CIA needs someone to keep Pakistani nukes out of terrorists’ hands, Rapp is clearly their go-to guy. He is “feared by even the most powerful men in the world.” This includes Russian President Maxim Vladimirovich Krupin, who calculates that exploding rogue nukes that can’t be traced back to him might serve his dastardly geopolitical aims. A half-dozen A-bombs could destroy enough Middle Eastern oil fields to divert huge revenues to Russia. So Krupin lines up the best man to foil Rapp: a talented killer named Grisha Azarov, who tells Krupin that Rapp has “no discernible weaknesses. His enemies…are all dead.” But then Azarov is no weenie himself, and the two adversaries make for a terrific matchup. Even the minor characters are colorful, especially Craig Bailer, an auto mechanic who has three Ph.D.s and arms covered with tattoos. Usually “the smartest guy in the room,” he has the best line in the book when he tells Rapp, “It’s a beautiful night and we have a cooler full of beer and a stolen A-bomb. It don’t get any better than that.” Rapp easily sidelines the American terrorist Eric Jesem and goes to extraordinary and creative lengths to impersonate him. That’s as entertaining as the book’s many action scenes, and it enhances his hero creds—but then he ruins it in one scene where he drills a slug through the heart of someone who simply doesn’t deserve it. But the inevitable confrontation between Rapp and Azarov is what thriller readers live for: tense and dramatic with a nice twist.

All in all, a crackling good yarn. Author Mills proves himself a worthy successor to carry on the series.

Pub Date: Oct. 11, 2016

ISBN: 9781476783482

Page Count: 400

Publisher: Emily Bestler/Atria

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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DISCLAIMER

An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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