Next book

THE CHANDELIERS

Fans of the illustrator’s previous works (and theater) will forgive the flaws in favor of the electrifying compositions;...

Kirsch applies his ornate flourishes to a troupe of giraffes in this tale of theatrical entrances and exits.

Each member of the world-renowned Chandelier family is featured in a pre–title-page cameo during which their extensive experience is highlighted—except for young Rufus. Not yet old enough to perform, he nevertheless proves his worth as the show unfolds. Ever the resourceful stagehand, he swings in on a trapeze to cue his father, camouflages himself with topiary to walk a parasol out to his mother, and brings up the rear in his brother’s horse costume. There are humorous visual details in the bustling watercolor-and-line compositions, and children will enjoy searching for the tiny mouse wearing a giraffe costume in every scene. Ultimately, however, the narrative loses steam. By the time Rufus is making thunder and lifting the moon, he and readers are just going through the motions to get to the end. The climax perpetuates the pattern: The busy hero casts a shadow monster and turns on the lights when they mysteriously dim, but the lack of actual drama, the static pace and the uneven writing yield waning interest.

Fans of the illustrator’s previous works (and theater) will forgive the flaws in favor of the electrifying compositions; those seeking true conflict or emotional connections should look elsewhere. (Picture book. 4-7)

Pub Date: Aug. 7, 2012

ISBN: 978-0-374-39898-9

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 26, 2012

Kirkus Reviews Issue: July 15, 2012

Awards & Accolades

Likes

  • Readers Vote
  • 13


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

Awards & Accolades

Likes

  • Readers Vote
  • 13


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

Next book

THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

Close Quickview