by Vincent X. Kirsch & illustrated by Vincent X. Kirsch ‧ RELEASE DATE: Aug. 7, 2012
Fans of the illustrator’s previous works (and theater) will forgive the flaws in favor of the electrifying compositions;...
Kirsch applies his ornate flourishes to a troupe of giraffes in this tale of theatrical entrances and exits.
Each member of the world-renowned Chandelier family is featured in a pre–title-page cameo during which their extensive experience is highlighted—except for young Rufus. Not yet old enough to perform, he nevertheless proves his worth as the show unfolds. Ever the resourceful stagehand, he swings in on a trapeze to cue his father, camouflages himself with topiary to walk a parasol out to his mother, and brings up the rear in his brother’s horse costume. There are humorous visual details in the bustling watercolor-and-line compositions, and children will enjoy searching for the tiny mouse wearing a giraffe costume in every scene. Ultimately, however, the narrative loses steam. By the time Rufus is making thunder and lifting the moon, he and readers are just going through the motions to get to the end. The climax perpetuates the pattern: The busy hero casts a shadow monster and turns on the lights when they mysteriously dim, but the lack of actual drama, the static pace and the uneven writing yield waning interest.
Fans of the illustrator’s previous works (and theater) will forgive the flaws in favor of the electrifying compositions; those seeking true conflict or emotional connections should look elsewhere. (Picture book. 4-7)Pub Date: Aug. 7, 2012
ISBN: 978-0-374-39898-9
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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