This story of a psychically gifted eleven-year-old girl and her coming into her powers is the first in a trilogy, and much of the story, too, seems a setting-up for bigger things to come. The story has two strains: on the realistic level, Justice fiercely anticipates the Great Snake Race for which her brother Tom is organizing the neighborhood boys; she practices secretly for a bike trick she will perform for them all on the way to the snake swamp; and, it turns out, she misunderstands the terms of the race, which almost leads to her mortifying embarrassment. The other current, the supersensory one, begins with Justice's suspicion of a psychic bond between her older twin brothers, and we glimpse its nature as cruel Tom-Tom enters and controls brother Levy's mind. This is intriguing; but the sudden leap to Justice's being trained in mind power by a neighboring, adult Sensitive lands us, less seductively, in the realm of believe-it-or-not science fiction. The Sensitive's son Dorian has powers also—but his mother's suggestion that he should have intervened to save Justice's face in the snake race would seem a trivial misuse of them. In the end, the four special children—Justice, her brothers, and Dorian—sit with clasped hands as Justice explains, by mind-tracing, that "we four are the first unit," presaging a future in which everyone must be so joined. Tom of course resents Justice's newly revealed superior powers (but one feels for him for the first time when he complains, "I won't become a unit. I'll be me, alone, if I have to"). There will, it is suggested, be trouble from him and serious illness for Levy in future volumes. Perhaps now that Hamilton has assembled her unit, we can look forward to its pioneering ventures.
Pub Date: Oct. 16, 1978
ISBN: 0590362143
Page Count: 282
Publisher: Greenwillow Books
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Oct. 1, 1978
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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