One of the best of its genre; attractive and informative, and a must for the growing Chinese New Year shelf.
PoPo helps her granddaughter learn Chinese New Year traditions in this intergenerational celebration of family and culture.
When PoPo arrives from China, preparations for Chinese New Year, a holiday that’s like “Thanksgiving, Christmas, and New Year’s Day all bundled together,” begin. Everything, from what one cooks and wears to how one cleans and decorates, is important to this age-old custom. As PoPo explains the symbolism behind each gesture, her Chinese-American granddaughter reacts with an honesty and effort that will captivate readers. The child’s candid responses, both humorous and endearing, make the holiday’s rituals accessible—whether she’s sweeping her baby brother out with the bad luck (before bringing him back in and lovingly rubbing his “big Buddha belly”), greedily eating seconds for a long life, or acting like a cash register, yelling “Cha Ching!” when red envelopes with money are being distributed. Benoit’s pencil-and-watercolor illustrations are extremely appealing. They exude warmth—both in the way she draws her characters and with her palette selection and how she thoughtfully applies her colors. Everything has a softness to it, drawing readers in, until they too feel embraced by the girl who cuddles her baby brother and the grandmother who is passing her heritage on to her kin. With running commentary on common practices included on each spread and an art activity at the end, Loh-Hagen offers a comprehensive idea of what Chinese New Year is about, couched within an authentic Chinese-American experience.
One of the best of its genre; attractive and informative, and a must for the growing Chinese New Year shelf. (Picture book. 4-8)Pub Date: Dec. 1, 2016
ISBN: 978-1-58536-978-2
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
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