by Virginia Loh-Hagen ; illustrated by Renné Benoit ‧ RELEASE DATE: Dec. 1, 2016
One of the best of its genre; attractive and informative, and a must for the growing Chinese New Year shelf.
PoPo helps her granddaughter learn Chinese New Year traditions in this intergenerational celebration of family and culture.
When PoPo arrives from China, preparations for Chinese New Year, a holiday that’s like “Thanksgiving, Christmas, and New Year’s Day all bundled together,” begin. Everything, from what one cooks and wears to how one cleans and decorates, is important to this age-old custom. As PoPo explains the symbolism behind each gesture, her Chinese-American granddaughter reacts with an honesty and effort that will captivate readers. The child’s candid responses, both humorous and endearing, make the holiday’s rituals accessible—whether she’s sweeping her baby brother out with the bad luck (before bringing him back in and lovingly rubbing his “big Buddha belly”), greedily eating seconds for a long life, or acting like a cash register, yelling “Cha Ching!” when red envelopes with money are being distributed. Benoit’s pencil-and-watercolor illustrations are extremely appealing. They exude warmth—both in the way she draws her characters and with her palette selection and how she thoughtfully applies her colors. Everything has a softness to it, drawing readers in, until they too feel embraced by the girl who cuddles her baby brother and the grandmother who is passing her heritage on to her kin. With running commentary on common practices included on each spread and an art activity at the end, Loh-Hagen offers a comprehensive idea of what Chinese New Year is about, couched within an authentic Chinese-American experience.
One of the best of its genre; attractive and informative, and a must for the growing Chinese New Year shelf. (Picture book. 4-8)Pub Date: Dec. 1, 2016
ISBN: 978-1-58536-978-2
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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