Brash, blunt, unashamed, and justifiably filled with rage.
A collection of essays by the renowned, infamous French writer and filmmaker.
At her best, Despentes is vicious, iconoclastic, filthy-mouthed, and raw. She is all of those things in this out-of-print collection, first published in French in 2006. In a piece that describes the two years the author spent as a sex worker, she writes, “when we are told that prostitution is a ‘violent act against women,’ it is an attempt to make us forget that it is marriage that is a violent act against women, and all the general shit we have to put up with.” Elsewhere, she writes, “I speak as a woman who is always too much of everything she is: too aggressive, too loud, too fat, too brutish, too hairy, always too mannish, so they tell me.” Throughout, Despentes delivers deliciously nasty condemnations of misogyny, hypocrisy, all manner of sanctimonious nonsense. She draws from pop culture as well as sources as diverse as Simone de Beauvoir and Angela Davis to make her case, which is unapologetically enraged. Toward the end of the book, she does get occasionally sloppy, contradicting her own points and resting a little too easily on crowd pleasers: “What is difficult to deal with, even today, is being a woman,” she writes near the end. At times, the momentum of the rant overwhelms the logic of the argument. Still, there is unquestionable bliss to be found in the author’s looseness of style and no-bullshit approach. “In my case,” she writes, “prostitution was a crucial step in my reconstruction after I was raped. A compensation settlement in thousand-franc installments for what had been brutally taken from me. What I could sell of myself to each client was a part of me that had remained intact.” Despentes has always been one of a kind, and her willingness to break apart all kinds of received wisdom remains vital.
Brash, blunt, unashamed, and justifiably filled with rage.Pub Date: May 11, 2021
ISBN: 978-0-374-53929-0
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 11, 2021
Kirkus Reviews Issue: April 1, 2021
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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