The inevitable finale to a messy, often absorbing saga about the evolution of the dispossessed.
The long, wild ride of France’s most unlikely lothario reaches its lurid climax.
For this third and concluding chapter in the series about the titular vagabond, it seems fitting that Despentes completes the cycle of grief by finally giving her eccentric ensemble a kind of acceptance and maybe even a little peace. As before, this is a sprawling cast of human pinballs, with dozens of characters careening in and out of each other’s lives, cataloged via a roster recounting each character’s current events. Perpetual sad sack Vernon is returning from exile as a changed man facing a very different Paris than he left: “Paris has become hard. Vernon is immediately aware of the pent-up aggression—people are furious, pressed up against each other, ready to come to blows.” In that respect, this entry is very much of its time, visiting its characters’ feverish day-to-day dramas but punctuated by real-life shockwaves, among them the Charlie Hebdo attack, the coordinated terrorist attacks that ended in the Bataclan massacre, and more personal losses like David Bowie. Vernon, meanwhile, has become the somewhat unreliable sage to a group of disciples as well as a popular DJ, dubbed the “shaman of the turntable.” Returning from the relatively safe commune where he and his friends were building a capitalism-free life, Vernon is faced with a dilemma when his old drinking buddy Charles dies, leaving him a fortune but no clue as to how to spend it. The meandering story is characteristically prolonged, but there’s something comforting in visiting each singular arc, be it coke addict Kiko searching for spiritual equilibrium, friends Aïcha and Céleste going underground after avenging the death of Aïcha’s mother, or Laurent Dopalet, the Harvey Weinstein doppelgänger, licking his wounds and plotting revenge. Perhaps it’s because no one here changes much, yet none are immune to the inevitable march of time. Life, in all its chaotic glory, goes on.
The inevitable finale to a messy, often absorbing saga about the evolution of the dispossessed.Pub Date: May 11, 2021
ISBN: 978-0-374-28326-1
Page Count: 416
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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