by Vivek Shraya ; illustrated by Rajni Perera ‧ RELEASE DATE: Oct. 1, 2016
The mostly easy rhyming and vivid colors make this an unforgettable look into Hindu culture.
An unnamed South Asian boy becomes fascinated with the decoration on his mother's brow, and when she explains what it means to her, he asks for one of his own.
The bindi makes him feel safe, calm, sure. His white friends at the playground wonder what it is, and he has trouble explaining, but he decides he'll never be without it. He feels small and ugly sometimes, but the bindi brings beauty where there was none. Shraya uses rhyme, sometimes a bit awkwardly, to tell her tale. At the end, her protagonist imagines readers asking, "Why is it so special anyway?" More sure of himself now, the boy explains that it's like a third eye watching over him, reminding him not to hide himself away and to embrace his potential self. The bright, beautiful illustrations by Perera do the heavy lifting, symbolically infusing the boy’s cultural difference with the spiritual power it carries for the wearer. The book does not say that bindis are mainly worn by Hindu women in relation to their marital status, allowing readers familiar with the culture to imagine what it means for the boy's mother. Her decision to give one to her son opens up discussions of gender within cultural norms, including the fact that some Hindu men wear bindis for spiritual reasons unrelated to marital status.
The mostly easy rhyming and vivid colors make this an unforgettable look into Hindu culture. (Picture book. 4-8)Pub Date: Oct. 1, 2016
ISBN: 978-1-55152-668-3
Page Count: 32
Publisher: Arsenal Pulp Press
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Vivek Shraya ; illustrated by Juliana Neufeld
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by Vivek Shraya illustrated by Juliana Neufeld
BOOK REVIEW
by Vivek Shraya ; illustrated by Juliana Neufeld
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
BOOK REVIEW
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