by Vivian Mansour ; illustrated by Emmanuel Valtierra ; translated by Carlos Rodríguez Cortez ‧ RELEASE DATE: Feb. 11, 2025
A gripping, thought-provoking migration saga.
The Vargas Ramírez family braves the journey north to the other side in this tale translated from Spanish.
Told from the perspective of an unnamed child, the voyage commences with a bird’s song—“Tihui, tihui, tihui: let’s go, let’s go, let’s go.” Departing from Iztapalapa, Mexico, Land of Clay Upon Water, a group of seven family members and friends—soon joined by another pair in Coyoacán—take “bus after bus after bus.” On their path to the land where a feathered man is said to fly over metallic trees, the Migrant Warriors evade the Tiras—slang for law enforcement—and squeeze into a van that moves like “an enraged jaguar.” They eventually end up wading through darkness “as dense as an obsidian forest.” Others, including a stray dog, join them on their seemingly never-ending march, led by a sly coyote. The Migrant Warriors cross the Río Bravo; then it’s time to walk once more, thirsty, exhausted, and indebted to the Virgen de Guadalupe’s protection. Mansour’s vivid portrait of a migrant family’s travails blends motifs and imagery from Mesoamerican mythology, with dazzling, affecting results. Influenced by the Boturini and Mixtec Codices, Valtierra’s artwork boasts bold lines, strong color use, and salient iconography, beautifully complementing the text’s mythical tone. Grounded in compassion, this is a richly layered tale that will linger with readers.
A gripping, thought-provoking migration saga. (author’s note, glossary) (Picture book. 4-8)Pub Date: Feb. 11, 2025
ISBN: 9781646145157
Page Count: 48
Publisher: Levine Querido
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Suzanne Lang ; illustrated by Max Lang ‧ RELEASE DATE: May 15, 2018
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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by Suzanne Lang ; illustrated by Max Lang
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by Suzanne Lang ; illustrated by Max Lang
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by Suzanne Lang ; illustrated by Max Lang
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