Creatively varying design, enormous cartoon eyes, and offbeat tertiary colors characterize this unusual animal tale. A bunny named Celerina finds an empty house and moves in, unaware that a snail named Gluey already considers it his and has been fixing its cracks “for as long as he could remember.” He is too small for her to notice, but he happily accepts her presence, even surreptitiously repairing her broken objects with his “carpenter snail” talents. She assumes that magic is at work and plans a party to show it off; however, when Gluey tries to introduce himself to her, she flings him immediately across the meadow. He lands among the elfish Wee people, who contribute several textual puns accessible only to readers who can read, but who also care for Gluey and help him return home. Celerina’s impulsive, unfriendly behavior, as well as that of her amusingly written but rowdy friends (who join her in smashing dishes and eventually destroy the house), runs its course and has no particular consequences: Gluey feels neither hurt nor resentful, and the house gets rebuilt by the Wee people. Tiny signs and verbal comments in varying fonts pop up refreshingly in the computer-generated illustrations. Two dark nighttime spreads are visually entrancing, while several others have too many olive greens and beige yellows. Sudden creativity of composition and design keep the offbeat pictures interesting. Strange but intriguing. (Picture book. 4-6)
Pub Date: Oct. 1, 2002
ISBN: 0-15-216620-3
Page Count: 48
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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