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THE BLACK RUSSIAN

Though sometimes dry, a good choice for those who enjoy reading about life’s underdogs.

Beginning his account with a daring escape from 1919 Russia to Constantinople, Alexandrov (Slavic Languages and Literature/Yale Univ.; Limits to Interpretation: The Meanings of Anna Karenina, 2004, etc.) promises a wild life of intrigue, deception and beating the odds for his subject.

Immediately following Frederick Bruce Thomas’ arrival in Turkey as a refugee without a country, the author moves back to the 1870s to examine Thomas’ childhood as the son of freed slaves in Mississippi. Though his parents were successful farmers and businesspeople after the end of the Civil War, rampant racism made life difficult, and Thomas left shortly after his father’s death. He made his way to Chicago and New York and in both cities took jobs in what Alexandrov calls “the elegant service industry,” gaining experience in the hospitality trade. After leaving New York, he traveled through Europe, continuing to work in the industry until he finally made his way to Russia and settled there. He eventually built his own entertainment empire in Moscow, becoming a rich man in an environment mostly free of racial prejudice. However, his success was interrupted by the events that begin the book: the Bolshevik Revolution in Russia and the subsequent pillaging of the wealthy. With Thomas’ life in danger in Russia and his family fragmented due to the war, the second half of the book focuses on his attempt to rebuild his life amid the political upheaval in Turkey. The obstacles to success were far greater in Constantinople, and this part of the book showcases the most difficult years of his life. Thomas’ story is certainly interesting, particularly since he was able to thrive in Europe in a way most African-American men of his generation couldn’t dream of. However, the author never recreates the prologue’s sense of urgency, and the narrative suffers from pacing issues throughout, with some parts reading like a novel and some like a history text.

Though sometimes dry, a good choice for those who enjoy reading about life’s underdogs.

Pub Date: March 5, 2013

ISBN: 978-0802120694

Page Count: 304

Publisher: Atlantic Monthly

Review Posted Online: Jan. 12, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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  • Kirkus Reviews'
    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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