by Vladimir Nabokov & Brian Boyd ‧ RELEASE DATE: Jan. 1, 1951
A colored spiral in a small ball of glass, this is how I see my life," remarks Nabokov in an almost mock-Hegelian passage near the end of a rippling, vivid, ironically elegiac memoir, ranging "geographically from St. Petersburg to St. Nazaire ...covering thirty-seven years, from August 1903 to May 1940, with only a few sallies into later space-time." The original work was published in 1951, and the current edition is a revised or "revisited" one, including both new or revamped material, as well as some deletions. There is, for instance, no longer the eye-winking attribution of two lesser-known Nabokov novels to "Sirin," an emigre figure who is, of course, Nabokov himself, and who is still modestly dubbed the best of the young Russian "writers in exile." The reminiscences unwind in an engagingly random manner, held together by the author's fantastically assured and flexible tone, his exquisite sense of detail and prankish art, his blithely idiosyncratic opinions; the Russian Revolution is dismissed as "that trite deus ex machina." The lustrous family portraits are fondly drawn: Mother, Father, Uncle Ruka—cultured, liberal aristocrats, brave and eccentric, in the splendid setting of country estates, politics, sports, and literature. There are adolescent awakenings and European spas, a dreamy first love, a humorous and touching tribute to "Mademoiselle," Nabokov's favorite governess; then flight from the Bolsheviks, schooling at Cambridge, breadwinning in Paris and Berlin. A minor classic, one of the richest works of a master stylist.
Pub Date: Jan. 1, 1951
ISBN: 0375405534
Page Count: 268
Publisher: Putnam
Review Posted Online: Oct. 1, 2011
Kirkus Reviews Issue: Dec. 1, 1966
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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