by Wab Kinew ; illustrated by Erin Hill ‧ RELEASE DATE: Oct. 8, 2024
A sweet window into Indigenous Christmas traditions.
Kinew (Onigaming First Nation), premier of Manitoba, tells the story of a Native family returning home to the reservation on the winter solstice.
Baby, an Anishinaabe child, doesn’t want to go back to the rez for Christmas: How will Santa find the family if they aren’t in the city? On the drive into the country, Baby’s pressing concerns fill the car: Why are presents exchanged on Christmas? Why is the rez “home” if they don't live there? Baby’s parents, who both have tan skin and black hair like Baby, answer each question by centering Anishinaabe language and values: Daddy explains that miigiwe means “giving away,” while Mommy says that giiwedaa (“let’s go home”) reflects the Anishinaabe reality that “home is where we live. But home is also where we come from.” The tender reunion with Kookom (Grandmother) and Mooshom (Grandfather) includes storytelling, sipping tea and eating bannock, singing, and giving gifts. Indigenous illustrator Hill’s cartoon art brings warmth and heart to Kinew’s simple narrative. Backmatter briefly spotlights the Anishinaabe customs of sharing food and gifts during the winter solstice, as well as the community’s reclamation of feasting and miigiwe at the end of the year. The sense of cultural pride and holiday joy will resonate with many young readers and their families.
A sweet window into Indigenous Christmas traditions. (Picture book. 4-7)Pub Date: Oct. 8, 2024
ISBN: 9781774883570
Page Count: 48
Publisher: Tundra Books
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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