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MR. COMPLAIN TAKES THE TRAIN

Aim this train for the nearest storytime and choo-choo-choose it anytime.

Interactive tomfoolery reaches new heights (and the occasional depth) when a perpetual crank’s mood meets its match.

Mr. Complain lives up to his name. Clad in a Tyrolean hat and an oversized ascot, the mustachioed, elderly White gent boards a train in the hope of reaching a vacation destination. Alas, at all times he is beset with problems that only he seems to detect. The train compartment he initially sits in is “too happy,” but outside is “too sad.” His animal seatmates are “too bubbly,” “too prickly,” and “too piggly.” The dining car offers some respite, until it starts tilting about—thanks to instructions given specifically to the book’s readers, who are encouraged again and again to wreak extra havoc on the ride. Though Mr. Complain cannot open his mouth without moaning, a relentlessly chipper ostrich conductor meets every last one of the cranky guest’s peeves with reassurance. Surely any adult or child who has ever experienced a flood of nonstop negativity will instantly recognize the Mr. Complains in their own lives. Britt’s thickly inked figures and Beccia’s digital colors bring the train and its chaotic passengers to life; Mr. Complain is particularly amusing, with a neckless, egg-shaped head rising out of a body ending in two tiny feet. It will be hard for child audiences to complain when seeing this story in action. Mr. Complain is the only human in the book.

Aim this train for the nearest storytime and choo-choo-choose it anytime. (Picture book. 3-6)

Pub Date: Feb. 16, 2021

ISBN: 978-0-544-82981-7

Page Count: 32

Publisher: Clarion Books

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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HEY, DUCK!

A sweet, tender and charming experience to read aloud or together.

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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