A love song from children’s literature’s brightest stars to America’s Indigenous children and children of color, encouraging...
An anthology of poetry, essays, short stories and art designed to lift children up, especially children from traditionally marginalized communities, during difficult times.
This collection encourages America’s children to remember their history, learn from it, and choose to be kind in the face of hatred, racism, and oppression. “Throughout history, kids like you / were right there. / With picket signs and petitions….They changed this world for the better. / And you will too,” Kelly Starling Lyons tells readers in her poem “Drumbeat for Change.” Featuring contributions from such writers as Jacqueline Woodson, Ellen Oh, and Hena Khan, and an equally august lineup of illustrators, including Rafael López, Vanessa Brantley-Newton, and Javaka Steptoe, every work packs an emotional punch. In his poem “A Thousand Winters,” Kwame Alexander wonders “if words, sentences, and books aren’t enough, anymore” as he reflects on the state of the world and hard conversations with his daughter. A stunning collage by Ekua Holmes accompanies Alexander’s poem; in it, a vivid, violet sky surrounds a sleepy black girl sitting atop her father’s shoulders. Every work in this beautiful collection feels personal and is meant to inspire and comfort.
A love song from children’s literature’s brightest stars to America’s Indigenous children and children of color, encouraging them to be brave and kind. (contributor biographies, index) (Anthology. 8-18)Pub Date: Sept. 4, 2018
ISBN: 978-0-525-58042-3
Page Count: 96
Publisher: Crown
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
Essential.
A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
PROFILES
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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