As both Branscum and Rabe come out with grit-and-hardship dramas of 1930s orphans, Myers gives us a contemporary Harlem kid whose problems seem more real and more serious even though he has a father and, thanks to welfare, knows he will eat. When motherless Tippy's grandmother ends up in the hospital, Tippy, twelve, is sent on to Lonny, who happens to be his father but is neither inclined toward nor equipped for the role. Lonny hangs around with his buddies, drinks, smokes weed, and alternately beats on Tippy, tries ineptly to be companionable, or presses money on him. Worse, Lonny and his friends engage in robberies and force Tippy to participate. Torn and miserable about going along with them, Tippy too starts to drink. How can he break away when he has nowhere to go? (Though this isn't a humorous story like Myers' Fast Sam, Cool Clyde and Stuff and Mojo and the Russians, there's a funny scene in the bus station where "a white guy in a yellow robe" and a black guy in a white robe get to pounding on each other over whether Tippy needs Krishna or Allah.) But at last, with one of the gang critically shot and untended after their big stick-up, Tippy does go to a sympathetic neighbor who notifies the police and later takes him in. Kindly Mr. Roland's convenient presence in the wings constitutes perhaps an easy out for Tippy and for Myers, but it doesn't undermine Myers' demonstration that however the cards are stacked, the choice is there to be made. And instead of the broad-stroke characterization of the orphan books, Myers gives us people—you'll even come to feel for the hopelessly no-good Lonny before he ends up in jail. Sound base, authentic surface—like Tippy, a winner.
Pub Date: Sept. 25, 1978
ISBN: 0064473112
Page Count: 242
Publisher: Viking
Review Posted Online: Oct. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1978
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
