Muhammad Ali’s life story is interwoven with significant historical events of the latter half of the 20th century—the American civil-rights movement, the war in Vietnam and the growth of the Nation of Islam—and Myers shows how he used his star status to make the case for the rights of African-Americans, conscientious objection and religious freedom as well as boosting his own athleticism. Delinois’s emotive style packs a prismatic punch of its own. Bold brushstrokes create scenes and are overlaid and outlined with frenetic multi-hued pencil lines in a style reminiscent of Leonard Jenkins’s. The total effect is energetic and disorienting, getting to the raw emotional impact of victory, loss, confrontation and peace. Myers’s prose account of Cassius Clay’s metamorphosis into the world heavyweight boxing champion is enlivened by (unsourced) quotations from friends, family and The Greatest himself, but it suffers from awkward transitions and occasionally incomplete contextualization for the audience. Despite its arresting visuals, it does not replace other such treatments as Jim Haskins’s Champion, illustrated by Eric Velasquez (2002), or Tonya Bolden’s The Champ, illustrated by R. Gregory Christie (2004). (Picture book/biography. 5-8)
Pub Date: Jan. 1, 2010
ISBN: 978-0-06-029131-0
Page Count: 40
Publisher: Collins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 2009
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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