Muhammad Ali’s life story is interwoven with significant historical events of the latter half of the 20th century—the American civil-rights movement, the war in Vietnam and the growth of the Nation of Islam—and Myers shows how he used his star status to make the case for the rights of African-Americans, conscientious objection and religious freedom as well as boosting his own athleticism. Delinois’s emotive style packs a prismatic punch of its own. Bold brushstrokes create scenes and are overlaid and outlined with frenetic multi-hued pencil lines in a style reminiscent of Leonard Jenkins’s. The total effect is energetic and disorienting, getting to the raw emotional impact of victory, loss, confrontation and peace. Myers’s prose account of Cassius Clay’s metamorphosis into the world heavyweight boxing champion is enlivened by (unsourced) quotations from friends, family and The Greatest himself, but it suffers from awkward transitions and occasionally incomplete contextualization for the audience. Despite its arresting visuals, it does not replace other such treatments as Jim Haskins’s Champion, illustrated by Eric Velasquez (2002), or Tonya Bolden’s The Champ, illustrated by R. Gregory Christie (2004). (Picture book/biography. 5-8)
Pub Date: Jan. 1, 2010
ISBN: 978-0-06-029131-0
Page Count: 40
Publisher: Collins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 2009
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
This second early biography of Cousteau in a year echoes Jennifer Berne’s Manfish: A Story of Jacques Cousteau (2008), illustrated by Eric Puybaret, in offering visuals that are more fanciful than informational, but also complements it with a focus less on the early life of the explorer and eco-activist than on his later inventions and achievements. In full-bleed scenes that are often segmented and kaleidoscopic, Yaccarino sets his hook-nosed subject amid shoals of Impressionistic fish and other marine images, rendered in multiple layers of thinly applied, imaginatively colored paint. His customarily sharp, geometric lines take on the wavy translucence of undersea shapes with a little bit of help from the airbrush. Along with tracing Cousteau’s undersea career from his first, life-changing, pair of goggles and the later aqualung to his minisub Sea Flea, the author pays tribute to his revolutionary film and TV work, and his later efforts to call attention to the effects of pollution. Cousteau’s enduring fascination with the sea comes through clearly, and can’t help sparking similar feelings in readers. (chronology, source list) (Picture book/biography. 6-8)
Pub Date: March 24, 2009
ISBN: 978-0-375-85573-3
Page Count: 40
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
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