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PATROL

AN AMERICAN SOLDIER IN VIETNAM

Myers returns to the setting of his award-winning Fallen Angels (1988) with a stunning, unsettling picture book that attempts to put the reader into the heart and mind of an American soldier in Vietnam. The stream-of-consciousness narration takes the reader along on one patrol, as the unnamed grunt picks his way through the landscape, exchanges fire with “the enemy,” “secures” a village with the aid of grenades, and is airlifted back to the base. The spare, poetic text is written in the present tense, lending immediacy, and is packed with sensory details: “I lift my rifle and begin to rub the palm of my hand slowly along / its wooden stock. / The weather is hot, but the sweat that runs down my back feels cold.” Although the reader is told he moves with his squad, the protagonist seems to exist in psychic isolation and overload as he continually grapples with his uncertain understanding of his place, both physical and moral, relative to his enemy: “Crouched against a tree older than my grandfather, / I imagine the enemy crouching against / a tree older than his grandfather.” Grifalconi’s (One of the Problems of Everett Anderson, not reviewed, etc.) collage illustrations are remarkable, and suitably disturbing. A jungle effect is created by overlapping photographs of trees with close-up details of leaves, marbled paper, and negative space—all of which virtually overwhelm the human figures. The effect is claustrophobic and highly disorienting, made all the more so when the reader notices that the foliage is largely North American: maples and spruce appear, frequently with jolly wildflowers in the foreground. The selection of fauna is likewise confused and confusing: on one page, a giant snake rests its coils in the branches of a spruce; on the next, a quail stands next to an egret. These surreal illustrations brilliantly extend the text’s central question: just who is the enemy—and why, when he and I are so alike?—in this, the “land of my enemy?” Not exactly a fun read, but highly effective and very important. (Picture book. 8-12)

Pub Date: May 1, 2002

ISBN: 0-06-028363-7

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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WAR GAMES

Fast-paced and plot-driven.

In his latest, prolific author Gratz takes on Hitler’s Olympic Games.

When 13-year-old American gymnast Evie Harris arrives in Berlin to compete in the 1936 Olympic Games, she has one goal: stardom. If she can bring home a gold medal like her friend, the famous equestrian-turned-Hollywood-star Mary Brooks, she might be able to lift her family out of their Dust Bowl poverty. But someone slips a strange note under Evie’s door, and soon she’s dodging Heinz Fischer, the Hitler Youth member assigned to host her, and meeting strangers who want to make use of her gymnastic skills—to rob a bank. As the games progress, Evie begins to see the moral issues behind their sparkling facade—the antisemitism and racism inherent in Nazi ideology and the way Hitler is using the competition to support and promote these beliefs. And she also agrees to rob the bank. Gratz goes big on the Mission Impossible–style heist, which takes center stage over the actual competitions, other than Jesse Owens’ famous long jump. A lengthy and detailed author’s note provides valuable historical context, including places where Gratz adapted the facts for storytelling purposes (although there’s no mention of the fact that before 1952, Olympic equestrian sports were limited to male military officers). With an emphasis on the plot, many of the characters feel defined primarily by how they’re suffering under the Nazis, such as the fictional diver Ursula Diop, who was involuntarily sterilized for being biracial.

Fast-paced and plot-driven. (Historical fiction. 9-12)

Pub Date: Oct. 7, 2025

ISBN: 9781338736106

Page Count: 368

Publisher: Scholastic

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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