An eminent author who's excelled with both tragedy (Scorpions, 1988, Newbery Honor) and funny, lighthearted novels writes in a serious vein but offers a realistic gleam of hope. Jimmy, 14, has been raised by his beloved, dependable "Mama Jean," a friend of parents he doesn't remember; his mother is dead, and his dad, "Crab," is in prison for killing a man in an armed robbery. Suddenly Crab shows up, claiming that he's on parole and has a job in Chicago. Jimmy agrees to go with him, but Crab's lies begin to unravel even before they leave New York: he has kidney failure, and has escaped from a prison hospital ("When they start operating on an inmate, I don't know what they'd be thinking"); the job is an illusion. The two go on to Arkansas, where Crab hopes old friend Rydell will vouch for his innocence: Crab was convicted of murder as the result of another associate's plea-bargaining. Rydell, who once betrayed Crab with his silence, betrays him again by calling the police; Crab surrenders, then dies soon after in the hospital. Myers builds a poignant picture here of a failed man whose clumsy reaching out to his son comes too late to make a real bond. Yet Crab does leave a legacy: going home to Mama Jean, Jimmy—a bright, honest, loving boy who has recently been floundering in his inner-city school and exhibiting signs of real depression—resolves that the next generation will be different: "He would know just how he was like his son...and where their souls touched and where they didn't." Sober, thought-provoking, rich in insight and detail: another splendid achievement. (Fiction. 12+)
Pub Date: May 1, 1992
ISBN: 0-590-42411-4
Page Count: 168
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1992
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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