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AN ORDINARY YOUTH

A German bestseller when it was first published, Kempowski’s novel is smart, troubling, and witty—but ultimately imperfect.

A German boy comes of age in the midst of World War II.

That Kempowski’s latest novel to appear in English is based on his own boyhood does not come as a huge surprise—for one thing, his hero shares a name with his author. Walter is 9 when the book begins and 15 when the novel—and the war—come to an end. Through Walter’s often oblivious gaze, the reader experiences things from a middle-class German perspective—an often uncomfortable vantage point. Though Walter’s father, who eventually serves as an officer in the army, insists that “I’m conservative to my bones, but that doesn’t make me a Nazi,” he’s loyal to the government, and statements like, “Old Hitler has a good head on his shoulders” are not unusual for him. These ironies are presented without comment or explanation. Kempowski favors short, swift vignettes that proceed rapidly, without much background information to clutter the scenes. Family members appear without introduction, for example. That method gives the book a sense of immediacy and modernity that makes it seem as if the events are still taking place. It also lends a sharp irony to many of the darker moments. When a Danish friend, for example, is released from Gestapo prison—a trumped-up charge to begin with—he comes over to tell the Kempowskis about his experience. “I wouldn’t be able to stand more than three hours in prison…It’s beyond me,” Walter’s mother says. The Danish friend, Sörensen, responds, “What do you think a human being can withstand, Frau Kempowski?” The scene ends there. Still, over the long term—the book approaches 400 pages—these vignettes, which are packed full of parentheticals containing song lyrics, party slogans, and the like, grow somewhat tiresome. One yearns for an honest, straightforward reckoning with the war. And though the book provides a great deal of wisdom and even emotional depth, it doesn’t provide that.

A German bestseller when it was first published, Kempowski’s novel is smart, troubling, and witty—but ultimately imperfect.

Pub Date: Nov. 14, 2023

ISBN: 9781681377209

Page Count: 396

Publisher: NYRB Classics

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE BLUE HOUR

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

Pub Date: Oct. 29, 2024

ISBN: 9780063396524

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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