Read it as allegory. Read it as a fairy tale. Whatever, it’s amusing—but still too long by half.
An overstuffed confection that threatens to collapse under its own heft.
Cross Lord of the Rings with Yellow Submarine, throw in dashes of Monty Python, Douglas Adams, Shrek and The Princess Bride, season with more serious fare such as The Tin Drum and The Odyssey. That’s the sort of alchemy in which this sprawling novel by German writer/artist Moers (The 13 1/2 Lives of Captain Bluebear, not reviewed) trades, and part of the pleasure of reading it is to see what echoes will next bounce off its crags. Adults may be a touch embarrassed to be seen with a book about a little “Wolperting” who “would one day become Zamonia’s most illustrious hero,” a critter who grows up in the farmyard of (seven, naturally) Hackonian dwarves but somehow, magically, sheds his animal qualities and learns to wield a sword most impressively. Rumo’s skills come in handy as he goes off into the wide world of men and Demonocles (“If asked what fate he hoped to avoid at all costs, the average Zamonian tended to reply: Being captured by the Demonocles”), when the book becomes a touch more mature. Along the way, he falls in with a pretty girl Wolperting and encounters enemies, such as the unspeakably evil General Ticktock (think Ian McKellen in a very bad mood), to say nothing of a madcap king who, in one of Moers’s wonderful line drawings, resembles Klaus Kinski’s Nosferatu. The General has big plans, and he employs very bad assistants such as “Tykhon Zyphos’s Subcutaneous Suicide Squad,” micro-ninjas who conjure up images of Fantastic Voyage, sans Raquel Welch. These are nothing, though, compared to the Smarmies, critical creatures who go about wounding writers’ literary self-esteem . . .
Read it as allegory. Read it as a fairy tale. Whatever, it’s amusing—but still too long by half.Pub Date: Sept. 7, 2006
ISBN: 1-58567-725-6
Page Count: 684
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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