by Walter Mosley ‧ RELEASE DATE: Sept. 3, 2019
A concise work that aspiring writers will find useful.
The prolific creator of Easy Rawlins provides guidance and tough-minded encouragement to writers at any stage of development.
In this follow-up to This Year You Write Your Novel (2007), Mosley (Down the River Unto the Sea, 2018, etc.) further demystifies fiction writing through language as taut and spare as the prose in his own novels. Where his first writing guide emphasized matters of diligence and discipline, here the author focuses on such storytelling basics as character, physical details, and points of view (he occasionally suggests that using a first-person narrator is harder than it seems). Mosley elaborates on the definition of plot he used in This Year, noting that “every story is a mystery of one sort or another.” To illustrate this and other rules and assertions, the author unspools some narrative premises of his own invention. While some may seem too over-the-top to be anything more than parody, Mosley’s purpose is to show readers the array of choices a novelist faces in setting up conflicts, not least of which is where and when a story might take place. He deploys similar story premises to show when and how to disclose the emotional lives of characters and how authorial improvisation can jar open fresh perspectives and a new set of narrative paths to follow. These random premises often feel like sneak peeks into Mosley’s notebooks, but their intended effect is to make fledgling writers believe they can freely invent their own story ideas and carry them to fruition. The author is not only an inspiring instructor; he is also a bracingly open-minded one. He cites the use by some writers of outlines and biographies of major characters before getting to their novels, but he writes that he prefers meeting his characters “the way I encounter people in life—at a place and a situation where I have less knowledge than I’d like.” Ultimately, he acknowledges that there is “no preordained pathway” to a writer’s “ultimate destination.” As with other manuals, this one doesn’t shirk from emphasizing the difficulty of writing, but Mosley’s spirited generosity helps make it less daunting.
A concise work that aspiring writers will find useful.Pub Date: Sept. 3, 2019
ISBN: 978-0-8021-4763-9
Page Count: 128
Publisher: Grove
Review Posted Online: June 8, 2019
Kirkus Reviews Issue: July 1, 2019
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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