A fine collection by an enduring, endearing master.
Simple, lyrical, immersive stories about work, neighbors, and the land.
Poet, fiction writer, essayist, and farmer: The 87-year-old Berry wears all those hats in these latest glimpses of Port William, the Kentucky community drawn from the town where he has lived for decades. The stories here span a period from the 1930s to 2021, and many feature a familiar Port William character and Berry alter ego named Andy Catlett at different points from boyhood to old age. In “A Conversation,” the boy learns about work and tools from hired hand Dick Watson. In the collection’s longest story, “A Time and Times and the Dividing of Time,” Andy at 84 sees through his own older and boyhood eyes that Dick’s work made him “more complete than almost everybody” Andy came to know. That regard for labor well done then stands out as woefully absent in “The Art of Loading Brush,” when elderly Andy hires men to replace a fence only to find that the crew had “messed and blundered its way to the completion” of something merely “passable.” The stories often touch on Berry’s longtime crusade for sustainable agriculture, on “the departure of the people and the coming of the machines” that inhibit such farming and erode the links, the “membership,” that help define a community. Berry also writes about the wit and usefulness of good stories. An episode (“The Great Interruption”) in which a boy falls from a tree while spying on an amorous couple is notable mainly for its retelling afterward by the area’s better yarn spinners until it becomes for Port William “a part of its self-knowledge.” Berry has that gift for entertaining amid serious intent, and the many lighter, very human moments in his elegiac, cautionary, wistful stories keep them from sinking into jeremiad without diminishing his message.
A fine collection by an enduring, endearing master.Pub Date: Nov. 8, 2022
ISBN: 978-1-64009-581-6
Page Count: 256
Publisher: Counterpoint
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Sweet, sharp, and satisfying.
Their daughter’s wedding stirs up uncomfortable memories for a divorced couple.
The day before the ceremony, the bride’s mother, Gail Baines, second in command at the Ashton School in Baltimore, learns that not only has she been passed over to replace the retiring headmistress, but the new recruit is bringing her deputy with her. The lack of people skills that have cost Gail this promotion are evident even in that initial scene; she’s a classic cranky Tyler protagonist, given to blurting out her opinions with little consideration for others’ feelings. Her first-person narration also reveals her to be touchingly vulnerable, convinced that daughter Debbie, prettier and more polished than she, will inevitably prefer husband-to-be Kenneth’s overbearing, better-off parents. Although her divorce from Max was amicable, Gail considers him a bit of a slacker, and isn’t best pleased when he turns up with a rescue cat in tow and says he has to stay with her because Kenneth is horribly allergic. A startling revelation from Debbie, fresh from her pre-wedding “Day of Beauty,” immediately divides the exes, who have very different opinions about how their daughter should handle this crisis. It also leads to Gail’s revelation of the infidelity that led to their divorce, though not in the way readers might imagine. Laid-back Max is the only fully fleshed character here other than Gail, and the novel is very short, but Tyler’s touch is as delicate, her empathy for human beings and all their quirks as evident in her 25th work of fiction as it was in her first, published an astonishing 60 years ago. Gail’s acerbic observations about the wedding and all its participants, her wistful memories of her odd-couple romance with Max, and her account of their enforced intimacy over the three days surrounding the wedding alternate to poignant effect. The closing pages offer a happy ending that feels true to the characters and utterly deserved.
Sweet, sharp, and satisfying.Pub Date: Feb. 11, 2025
ISBN: 9780593803486
Page Count: 176
Publisher: Knopf
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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