The local nature of their canny, comic tonalities, the old-timey subtitle, and the fact that all the action takes place before 1942 might lead browsers to take these Berry stories as merely quaint. That would be a mistake. In fact, like Isaac Bashevis Singer, Berry has been expanding by contraction, husbanding by close focus—in Berry's case, on the familiar demesne of Port William, Ky. (Fidelity, 1992, etc.). The tales here all revolve around the equable, lanky figure of farmer Tol Proudfoot and his schoolteacher wife, Miss Minnie. Tol— negligent of dress, gregarious, hungry, a preternaturally economical worker and doer—is less a fascinating character in and of himself than he is an utterly engaged, interlocking piece of humankind, at home in the world and among his fellow dwellers. In the Depression-era setting of ``The Solemn Boy,'' Tol invites a hobo-ing father and son inside for a meal, a small, good-humored act that brings disproportionate emotional nourishment. His apprehension of horse-consciousness in ``A Half-Pint of Old Darling'' (``startled by the steam clouds of his breath...he enjoyed the notion that he was in danger of being run over by the buggy rolling behind him'') shapes Tol's feelings about his first long car trip in the subsequent ``Nearly to The Fair,'' a funny, steady exercise in the virtues of getting nowhere too fast, as well as a recommendation for occasionally being helplessly, freely lost. The long title story, which closes the collection, is a masterpiece about a group of men following into the woods over a whole day and night a young neighbor (``at once their fear, their quarry, and their leader'') who has gone out of his head and bears a shotgun with which he may kill either himself or them. The tale clarifies Berry's direction, as he moves way beyond nostalgia toward an immersion in other lives that expresses itself as a sense of intimate apartness—a willingness to follow his characters, but not necessarily to change them. Poetry nestled inside prose: startlingly and classically moving.
Pub Date: Sept. 13, 1994
ISBN: 0-679-43469-0
Page Count: 224
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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