In the ruins, stories that stun.
Harsh, lovely prose chronicles the author’s two years in post-Soviet Georgia.
Steavenson adheres to a rough chronology in this collection of animated snapshots of a region devastated by war, political sleaze, poverty, greed, and graft. She begins in a remote village with the story of a man assembling a Stalin theme park and ends by expressing the almost featherless hope that “the best we can do is respect our family, love our friends, open a bottle of wine, drink it, and then open another one.” In between are moments of wonder, weirdness, wisdom, and terror. Coming off a stint writing for Time magazine, the author was between lives in the Georgian town of Tbilisi. She drank a lot, waited for the power to go on (it was off most of the time), frequented the public baths, and took trips with friends to places that offered the prospect of wine or wonder—usually both. She slept in the Gorbachevs’ bed in their former dacha; she ate fried brains and explored the story of a ruinous lovers’ duel; she hiked high in the mountains to witness a horse race; she painted Eduard Shevardnadze in dark, unflattering colors (she shook his hand and found it limp); she chatted and drank with work crews exploding some 15,000 land mines lying along the Gumista. She also nursed a broken heart after falling in love with “Thomas,” who dumped her and then returned nine months later to propose marriage. (She declined.) She shows us a landscape so cluttered with debris and decay (not unexpectedly, she alludes to “Ozymandias”) that by the end we think almost lovely a description of a cow urinating in the marketplace mud. What appears to appeal to Steavenson—and to keep her in Georgia (she was born in the US and grew up in London)—is the candor, kindness, and daffy equanimity of the people. A useful “Ethnic Glossary” helps with the history.
In the ruins, stories that stun.Pub Date: March 1, 2003
ISBN: 0-8021-1737-6
Page Count: 240
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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