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SALAD PIE

Name: SALAD PIE
Author: Wendy BooydeGraaff
ISBN: 978-0-9913866-4-2

by Wendy BooydeGraaff ; illustrated by Bryan Langdo ‧ RELEASE DATE: March 1, 2016

Warm and winning.

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The park is the perfect place for culinary imagination—and friendship.

Maggie’s pleased that the park is empty and quiet, perfect for making Salad Pie. Then Herbert appears and asks what she’s doing. The park’s no longer empty or quiet. Still, she goes ahead with her plan. As Herbert watches, she walks in a wide arc around him, gathering stems of clover, dandelion leaves, some soft crab apples. She mixes them in her floppy hat, then tosses in some wood chips. A few fall out onto the ground, and Herbert scurries to pick them up. He tries to drop them back into the salad, and Maggie grabs his wrist to make sure he doesn’t touch. But she accepts the pieces. “Magnificent,” she declares, then climbs the slide, up up up and, at the very top, starts to sing and dance. When she loses her footing, she and her Salad Pie take a tumble, but Herbert is there to catch her and all the flying pieces. This time she lets him help. The missteps in BooydeGraaff’s tale of budding friendship make it all the more interesting and believable. Langdo’s watercolors bring character to the forefront; Maggie has light-brown skin and a wild mop of springy brown hair, while Herbert is a leggy white boy with short brown hair.

Warm and winning. (Picture book. 4-7)

Pub Date: March 1, 2016

ISBN: 978-0-9913866-4-2

Page Count: 44

Publisher: Ripple Grove

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

Categories:

CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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TINY T. REX AND THE IMPOSSIBLE HUG

by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019

Wins for compassion and for the refusal to let physical limitations hold one back.

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With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)