Next book

THE TWILIGHT WORLD

Herzog fans will hope for a film to come. Meanwhile, this evocation of loyalty to a lost cause serves beautifully.

Stunning tale of obsession unto madness by a master of that narrow but fruitful genre.

Recall director Herzog’s film Aguirre, The Wrath of God (1972), and you’ll have a key to this story, whose details he calls “factually correct”—mostly. In Tokyo to stage a production of Chushingura in 1997, Herzog declines an opportunity to speak with the emperor and instead asks to see Hiroo Onoda, a Japanese commando who hid on a Philippine island from 1944 until 1974. Herzog tells Onoda’s tale from the beginning, when the psychologically remote sentinel had a few companions. One was captured early on and two were killed, all well after the war had ended. Onoda, though, was convinced that the war was ongoing since year after year vast armadas of American ships and airplanes came by—though bound for Korea and then, a decade later, Vietnam. “Our tasks are to remain invisible, to deceive the enemy, to be ready to do seemingly dishonorable things while keeping safe in our hearts the warrior’s honor,” Onoda exhorts, sure that the leaflets and broadcasts directing him and his troops to surrender are all “just a trick to lure them out of their jungle fastness.” Three decades after the war ended, a young Japanese student named Suzuki—whose goal after having ferreted out Onoda is to find a yeti and then a giant panda—strikes a deal: If he returns with the commander who had ordered Onoda to remain on Lubang, then Onoda will surrender. What happens next has the bittersweet dimension that is another Herzog trademark, marked by graceful prose: Onoda becomes a rancher in Brazil, and among the cows and away from people, “he knows he is where he is.”

Herzog fans will hope for a film to come. Meanwhile, this evocation of loyalty to a lost cause serves beautifully.

Pub Date: June 14, 2022

ISBN: 978-0-593-49026-6

Page Count: 144

Publisher: Penguin Press

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

Next book

MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: today

Kirkus Reviews Issue: Aug. 1, 2025

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Close Quickview