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AUSTERLITZ

Superbly translated, hypnotically written, a volume that requires and rewards slow, careful reading.

Another haunting mixture of history, memoir, and photo album from the author of The Rings of Saturn (1998) and Vertigo (2000).

Sebald’s fourth novel, like its predecessors, is a melancholy meditation on the dark side of human history. The unnamed narrator recounts the life story of Jacques Austerlitz, a polymath whose erudition, like the author’s, runs the gamut from his chosen field of architectural history to his avocation of zoology. Meeting by chance in the Antwerp railroad station, Austerlitz and the narrator fall easily into a learned conversation about the building itself that gradually leads to a discussion of the history and mysteries of Europe’s fortified cities. A friendship of sorts develops and the two meet from time to time, at first apparently without planning, to continue their chat as if no time had elapsed in between. Gradually, Austerlitz begins to reveal his personal history. In 1939, at the age of five, he was adopted and raised by an austere Welsh cleric and his equally forbidding wife. He knows nothing of his past until he is encouraged to explore history by an inspirational teacher. Eventually, Austerlitz discovers that he is a child of a Jewish couple who vanished in the Holocaust after sending him to England to escape—no surprise to those who are familiar with Sebald’s earlier work. Austerlitz recounts his story in a low-key, slow-moving, but utterly engrossing prose style, with almost no paragraph or chapter breaks, interrupted only by a series of eerie photographs of landscapes, architectural features, and hazily glimpsed faces. The tale is cunningly constructed around internal echoes, phrases repeated many pages apart, whose larger significance can be grasped only on repetition, and a complex, multilayered set of thematic correspondences that cannot be unraveled on a single reading.

Superbly translated, hypnotically written, a volume that requires and rewards slow, careful reading.

Pub Date: Oct. 1, 2001

ISBN: 0-375-50483-4

Page Count: 320

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2001

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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