An evocative work by a prize-winning German author, now England-based, consists of four distinct stories of Jewish emigration over the last century: in each piece, not only the personal drama but the zeitgeist of the occasion is cannily, compellingly revealed. Bending each narrative into a form of personal reminiscence, complete with photographs woven into the text, the tribulation of each elusive subject is patiently uncovered by the narrator, starting with old Dr. Selwyn, whom the narrator meets in the garden of an English country house. In a unique confessional moment, this friendly if distant neighbor reveals his lower-class Lithuanian origins and the process of his assimilation into British society, which in his retirement he finds increasingly foreign. Soon after this confession, he shoots himself. Similarly, Paul Bereyter, the narrator's retired and reclusive grade-school teacher, ends his life by lying down in front of a train, prompting his ex-pupil to explore his past, discovering Bereyter's consuming and destructive relationship with Nazism. The life of Ambros Adelwarth describes a more colorful but no less destructive arc as the young manservant (the narrator's great uncle) finds employment with one of the most prominent ÇmigrÇ families in New York. The personal companion of the family scion, he travels the world with his charge, as an equal, in the years before and after WW I, but the scion slowly succumbs to madness and dies institutionalized; Ambros, eventually overpowered by his memories, voluntarily enters an asylum, where he dies as a result of shock therapy. Finally, an encounter with the artist Max Ferber in the decaying English port of Manchester during the narrator's college years prompts him to return much later, when he learns how Ferber escaped from the Nazis but lost his entire family in the Holocaust. The pervasive melancholy in these lives that are locked in tragedy is formidable, but at the same time the lyricism and immediacy of the narratives are marvelous to behold: a profound and moving work that should leave no reader unaffected.
Pub Date: Oct. 25, 1996
ISBN: 0-8112-1338-2
Page Count: 256
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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