by Whitney Stewart ; illustrated by Christiane Engel ‧ RELEASE DATE: March 5, 2019
Despite some bright spots, the lapses in information limit this book’s effectiveness.
Celebrations the world over involve parades, foods, traditional clothing, masks, songs, and games.
Information on 14 festivals, country maps, small photos, sidebars with holiday traditions (in the appropriate language, with pronunciations), and instructions for a craft or a recipe make up the jam-packed left-hand page of each spread. Colorful, detailed cartoon illustrations appear opposite. There are certainly interesting facts and activities, but careless errors (including a typo to be corrected in the second printing) and a decided slant toward Western Europe (five countries) diminish the volume’s value. Opening with a monthly timeline, it offers a basic explanation of the lunar calendar, but this is not integrated into the overall schematic. This spread also includes a note about adult help for crafting and cooking. Many of the holidays are commonly celebrated in many places, and the author’s failure to point out that Eid al-Fitr, for instance, is celebrated around the globe and not just in Egypt is a sad, missed opportunity. A few festivals are not often presented in books of this ilk, such as Bhutan’s Dangpai Losar (New Year) and Laternenfest, held on St. Martin’s Day in Germany. The last spread brings children from the different countries together and asks readers to create their own celebrations. Sadly, given the glancing notice necessitated by the format, there are no further resources included.
Despite some bright spots, the lapses in information limit this book’s effectiveness. (glossary, index) (Nonfiction. 7-10)Pub Date: March 5, 2019
ISBN: 978-1-4549-3213-0
Page Count: 40
Publisher: Sterling
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by Whitney Stewart ; illustrated by Rocio Alejandro ; translated by María Perez
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by Hilarie N. Staton ‧ RELEASE DATE: Feb. 1, 2012
Shot through with vague generalities and paired to a mix of equally generic period images and static new art, this overview remorselessly sucks all the juice from its topic.
This survey of the growth of industries in this country from the Colonial period to the post–World War II era is written in the driest of textbook-ese: “Factories needed good transportation so that materials could reach them and so that materials could reach buyers”; “The metal iron is obtained by heating iron ore”; “In 1860, the North said that free men, not slaves, should do the work.” This text is supplemented by a jumble of narrative-overview blocks, boxed side observations and terse captions on each thematic spread. The design is packed with overlapping, misleadingly seamless and rarely differentiated mixes of small, heavily trimmed contemporary prints or (later) photos and drab reconstructions of workshop or factory scenes, along with pictures of significant inventions and technological innovations (which are, in several cases, reduced to background design elements). The single, tiny map has no identifying labels. Other new entries in the All About America series deal similarly with Explorers, Trappers, and Pioneers, A Nation of Immigrants and Stagecoaches and Railroads. Utilitarian, at best—but more likely to dim reader interest than kindle it. (index, timeline, resource lists) (Nonfiction. 8-10)
Pub Date: Feb. 1, 2012
ISBN: 978-0-7534-6670-4
Page Count: 32
Publisher: Kingfisher
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Amy Ehrlich illustrated by Wendell Minor ‧ RELEASE DATE: Sept. 27, 2016
A simplistic treatment for an audience likely unfamiliar with its subject.
Ehrlich renders an admiring portrait of Cather, focusing on the relationship between her writing and the places she lived and visited.
Willa and family followed her grandparents from Virginia to Nebraska in 1883. Willa was lonely, but she had a pony and freedom to roam. When her father traded farming for real estate, the family moved to Red Cloud. She read keenly, enjoying adult friends, who "were more interesting than children and...talked to Willa in a serious and cultured way." During her freshman year at the University of Nebraska in Lincoln, an essay’s publication changed Willa's path from doctor to writer. Cather worked at magazines in Pittsburgh and New York. The writer Sarah Orne Jewett urged her to focus on her own writing. Journeys to Europe, the American Southwest, back to Nebraska and Virginia—all resonated in her accomplished fiction. Ehrlich writes with little inflection, sometimes adopting Cather's viewpoint. The Civil War and slavery are briefly treated. (Cather's maternal grandparents were slaveholders.) Native Americans receive only incidental mentions: that Red Cloud is named for the Oglala Lakota chief and that, as children, Willa and her brothers had "imagined themselves in Indian country in the Southwest desert. What adventures they would have!" Minor's watercolor-and-gouache pictures depict bucolic prairie scenes and town and city life; meadowlarks appear frequently.
A simplistic treatment for an audience likely unfamiliar with its subject. (timeline, thumbnail biographies of American women writers of Cather's time, bibliography) (Biography. 7-10)Pub Date: Sept. 27, 2016
ISBN: 978-0-689-86573-2
Page Count: 72
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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by Amy Ehrlich & illustrated by Will Hillenbrand
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