by Will Bashor ‧ RELEASE DATE: Dec. 1, 2016
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This scholarly work thoroughly documents Marie Antoinette’s imprisonment, trial, and execution. Bashor (Marie Antoinette’s Head, 2013, etc.), a professor of global issues at Franklin University, tells the story of Marie Antoinette’s last 10 weeks by drawing on contemporary sources as well as modern scholarship. The king was executed in January 1793; on Aug. 2, 1793, when this book begins, Marie Antoinette was taken to the Conciergerie prison in Paris. Her trial began on Oct. 14, and two days later she was found guilty and sent to the guillotine. Bashor describes the damp, filthy prison’s privations; attempts to help or rescue the queen; the revolutionary tribunal and the monarch’s trial with its prosecutor, indictment, jury, witnesses, testimony, and sentencing; and Marie Antoinette’s final moments. In all this, the author provides novelistic and empathetic attention to detail and personalities, as when he notes that Marie Antoinette recorded the heights of her children on the prison wall or how she kept busy by converting toothpicks into tapestry needles. He marshals a wide array of evidence, carefully distinguishing likely and trustworthy accounts from less believable ones and sorting out confusing episodes such as the Carnation Plot. In his readable book, Bashor shows that the Vienna-born Marie Antoinette, as a foreigner (and, probably, as a woman), became a scapegoat for the mob’s rage and that her trial was a sham. But while conceding that Marie Antoinette was “well known for her lavish expenditures and frivolous lifestyle,” he seems as puzzlingly reluctant as the queen to connect all the dots between that frivolity and the scapegoating. And while Marie Antoinette suffered in the Conciergerie, so did all his majesty’s prisoners before her, some no less innocent than herself. That the queen loved her children and went to her death with noble poise has captured much admiration—certainly Bashor’s—but this ought surely to be seen in the context of aristocratic France’s overwhelming human tragedies, which can never be told in so much detail. Extensive notes, a selected bibliography, and index are included. Impressive, well-researched, useful, and accessible, though some readers may feel that the book’s sympathies for the doomed queen remain misplaced.
None NonePub Date: Dec. 1, 2016
ISBN: 978-1-4422-5499-2
Page Count: 392
Publisher: Rowman & Littlefield
Review Posted Online: Nov. 24, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Review Program: Kirkus Indie
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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