Mole is absolutely thrilled that spring has finally arrived. As the mud squishes up between his bare toes, he realizes that he needs to give Bear a wake-up call so they can share spring together. But that is easier said than done. Clues hidden in the illustrations will help children guess how Mole is going to wake up his friend. The stick rapping on the window doesn’t work. Neither does a knock on his door. Mole ups the ante with a feather to Bear’s nose and finally some toots on his trumpet. Nothing works. After some thought, Mole dashes outside. His chores keep him busy for quite some time as he prepares a feast for Bear the old-fashioned way, even milking the cow and churning the butter himself. So, it is no surprise that he is rather droopy-eyed when he finally delivers Bear’s tray. Nor is the fact that while Bear is wide-eyed and thrilled to welcome spring, Mole has fallen fast asleep. Hillenbrand has crafted in Mole a character sure to tug at readers’ hearts. His diligence, excitement and desire to share the wonders of spring are a breath of fresh air. The mixed-media illustrations capture both the harbingers of early springtime and Mole’s enthusiasm, while Bear’s droll expressions are charming. A sweet, simple tale of the lengths we all go to in the name of friendship…and spring. (Picture book. 3-6)
Pub Date: March 1, 2011
ISBN: 978-0-8234-1602-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Feb. 10, 2011
Kirkus Reviews Issue: Feb. 15, 2011
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BOOK REVIEW
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...
The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.
Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.
Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)Pub Date: July 29, 2014
ISBN: 978-0-399-16773-7
Page Count: 32
Publisher: Philomel
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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