Strong, atmospheric illustrations compensate, at least in part, for less than smooth writing in this version of the old domestic drama. Well-populated with bears, wolves, mushrooms, dark glades and massive pines, the forest really looks “ancient and mysterious” in both the smaller views and the several wordless full spreads. In contrast, the witch’s manor-sized house gleams with tempting, sugary goodness on the outside, and cheery hominess within—a hominess that is echoed by the rustic, flower-painted furnishings of Hansel and Gretel’s home in the final scene, as the errant children and their father reunite in a joyful embrace. For text, Moses keeps reasonably close to the original’s tone and pacing, but he refers to “another famine” without having mentioned an earlier one, and adds a gratuitous detail by ascribing the evil stepmother’s death to “a black heart.” There isn’t exactly a need for another “Hansel and Gretel,” but visually at least this ranks with Moses’s best work. No source note. (Picture book/folktale. 9-11)
Pub Date: March 1, 2006
ISBN: 0-399-24234-1
Page Count: 40
Publisher: Philomel
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The book is a cute, but rather standard offering from Avi (Tom, Babette, and Simon, p. 776, etc.).
An adolescent mouse named Poppy is off on a romantic tryst with her rebel boyfriend when they are attacked by Mr. Ocax, the owl who rules over the area.
He kills the boyfriend, but Poppy escapes and Mr. Ocax vows to catch her. Mr. Ocax has convinced all the mice that he is their protector when, in fact, he preys on them mercilessly. When the mice ask his permission to move to a new house, he refuses, blaming Poppy for his decision. Poppy suspects that there is another reason Mr. Ocax doesn't want them to move and investigates to clear her name. With the help of a prickly old porcupine and her quick wits, Poppy defeats her nemesis and her own fears, saving her family in the bargain.
The book is a cute, but rather standard offering from Avi (Tom, Babette, and Simon, p. 776, etc.). (Fiction. 9-11)Pub Date: Oct. 1, 1995
ISBN: 0-531-09483-9
Page Count: 147
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
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