Many are the available picture-book tales of half-legendary wanderer John Chapman, but this one (not really a picture book) merits consideration, both for its appealing folk-art–style illustrations (Moses is an artistic, as well as genetic, descendant of Grandma Moses), and for its thoughtful prose portrait of a man who, Moses suggests, “represents the best qualities of the American character.” The author tucks a few tall-sounding tales into his narrative, but in general sticks closely to the historical record, following Chapman from his early years in Massachusetts, through decades of planting and preaching in Pennsylvania, the Ohio Territory, and, finally, Indiana, where he tended orchards to the last. Ranging from spread-fillers to vignettes, the paintings are nearly all landscapes, with a small, lanky, oddly dressed figure placed amid tapestries of orchards and fields, or paddling along waterways in a birch bark canoe. Just as his apple trees “helped blaze the trail westward,” so, avers the author, should his “kindness and humanity, [his] industrious, independent spirit” make him a “beacon to follow” for today’s young readers. Make room on the shelf for this slim volume, too. (Biography. 9-11)
Pub Date: Sept. 1, 2001
ISBN: 0-399-23153-6
Page Count: 32
Publisher: Philomel
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...
Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.
Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)Pub Date: Sept. 26, 2017
ISBN: 978-1-101-93406-7
Page Count: 240
Publisher: Schwartz & Wade/Random
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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